Blonde Roots
From the Booker prize-winning author of Girl, Woman, Other
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- 8,99 €
Description de l’éditeur
FROM THE BOOKER PRIZE-WINNING AUTHOR OF GIRL, WOMAN, OTHER
RECIPIENT OF THE WOMEN’S PRIZE OUTSTANDING CONTRIBUTION AWARD
LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2009
WINNER OF THE ORANGE YOUTH PANEL AWARD 2009
FINALIST FOR THE HURSTON WRIGHT LEGACY AWARD 2010
'A phenomenal book. It is so ingenious and so novel. Think The Handmaid's Tale meets Noughts and Crosses with a bit of Jonathan Swift and Lewis Carroll thrown in. This should be thought of as a feminist classic.' Women's Prize for Fiction Podcast
Welcome to a world turned upside down. One minute, Doris, from England, is playing hide-and-seek with her sisters in the fields behind their cottage. The next, someone puts a bag over her head and she ends up in the hold of a slave-ship sailing to the New World . . .
In this fantastically imaginative inversion of the transatlantic slave trade - in which 'whytes' are enslaved by black people - Bernardine Evaristo has created a thought-provoking satire that is as accessible and readable as it is intelligent and insightful. Blonde Roots brings the shackles and cries of long-ago barbarity uncomfortably close and raises timely questions about the society of today.
'A bold and brilliant game of counterfactual history. Evaristo keep[s] her wit and anger at a spicy simmer throughout' Daily Telegraph
'So human and real. Re-imagines past and present with refreshing humour and intelligence' Guardian
'A brilliant satire whose flashes of comedy make the underlying tragedy all the more poignant' Scotland on Sunday
PUBLISHERS WEEKLY
British novelist Evaristo delivers an astonishing, uncomfortable and beautiful alternative history that goes back several centuries to flip the slave trade, with "Aphrikans" enslaving the people of "Europa" and exporting many of them to "Amarika." The plot revolves around Doris, the daughter of a long line of proud cabbage farmers who live in serfdom. After she's kidnapped by slavers, she experiences the horror and inhumanity of slave transport, is sold and works her way back to freedom. The narrative cuts back and forth through time, contrasting the journey to freedom with the journey toward slavery. In a less skilled writer's hands, the premise easily could have worn itself out by the second chapter, but Evaristo's intellectually rigorous narrative constantly surprises, and, for all the barbarism on display, it's strikingly human. Evaristo's novel is a powerful, thoughtful reminder that diabolical behavior can take place in any culture, "safety" is an illusion and freedom is something easily taken for granted. This difficult and provocative book is a conversation sparker.
