Bubble
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- 12,99 €
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- 12,99 €
Description de l’éditeur
Based on the smash-hit audio serial, Bubble is a hilarious high-energy graphic novel with a satirical take on the “gig economy.”
Built and maintained by corporate benevolence, the city of Fairhaven is a literal bubble of safety and order (and amazing coffee) in the midst of the Brush, a harsh alien wilderness ruled by monstrous Imps and rogue bands of humans. Humans like Morgan, who’s Brush-born and Bubble-raised and fully capable of fending off an Imp attack during her morning jog. She’s got a great routine going—she has a chill day job, she recreationally kills the occasional Imp, then she takes that Imp home for her roommate and BFF, Annie, to transform into drugs as a side hustle. But cracks appear in her tidy life when one of those Imps nearly murders a delivery guy in her apartment, accidentally transforming him into a Brush-powered mutant in the process. And when Morgan’s company launches Huntr, a gig economy app for Imp extermination, she finds herself press-ganged into kicking her stabby side job up to the next level as she battles a parade of monsters and monstrously Brush-turned citizens, from a living hipster beard to a book club hive mind.
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Barely ever stopping for a breath, this sci-fi adventure comedy (adapted from the popular podcast) bounds from one escapade to another while keeping up a running satirical patter. The setting is an alien planet where human settlers are divided between cosseted urbanites living in corporate-controlled domed cities and those roughing it out in the "Brush" where mutant Imps roam free. In the Fairhaven dome, Morgan is a onetime "Brush Baby" who uses her knife skills to kill the occasional Imp when it sneaks into the dome. She, her roommate Annie (a casually polyamorous bespoke drug manufacturer), ex-boyfriend and parkour enthusiast Van (widely beloved "Even with the unfortunate toe rings"), and lovable loser Mitch get sucked into a conspiracy involving an app for gig-economy Imp killers called Huntr. The blow-out fight scenes—drawn by Cliff with a fizz-bomb energy that recalls his similarly caffeinated Delilah Dirk series—come fast and furious and are littered with sarcastic one-liners and snarky takes on everything from John Mayer to TGI Fridays, book club wine moms, Frasier, CrossFit, and bearded podcast dudes with "hot takes" ("It's time for a male Wonder Woman!"). The critique of the gig economy is just discernible beneath the smashmouth confrontations, and the relationship comedy (tangled on-again, off-again connections and flirtations throughout) is surprisingly earnest. It's a recklessly fun, hoot and holler of a ride.
