Cold is the Grave
A Pulse-Pounding Novel in the Number One Bestselling Inspector Alan Banks Crime Series
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5,0 • 1 note
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- 5,99 €
Description de l’éditeur
‘The Alan Banks mystery-suspense novels are the best series on the market. Try one and tell me I'm wrong’ – Stephen King
A runaway girl. An inescapable past. Banks is pulled into a perilous world.
With his personal life in turmoil DCI Banks is considering his options. But then late one night the architect of his professional misfortune, Chief Constable Riddle, summons Banks to his house for his daughter Emily has run away and compromising photos have appeared online. Riddle wants Banks to use his unorthodox methods to find her without a fuss.
Banks, a father himself, cannot refuse and he follows the trail to the dark heart of London. But when a series of gruesome murders follows soon after, Banks finds himself pulled into the dangerous world of his most powerful enemy, Chief Constable Jimmy Riddle.
Cold is the Grave is a pulse-pounding tale. If you enjoyed it, then you'll love the next instalment in the Banks series - which was made into the major British ITV Drama DCI Banks - Aftermath.
*****
Critical acclaim for the Inspector Banks series:
'A powerfully moving work' – Ian Rankin
'Top-notch police procedure' – Jeffery Deaver
'An addictive crime-novel series' – The New York Times
'A guaranteed page-turner' – Mirror
'One of the most authentic and atmospheric of crime series' – Independent
'The master of police procedural' – Mail on Sunday
'Near, perhaps, even at the top of, the British crime writers' league' – The Times
'Banks is genuinely human, rather than a hard man' – The Observer
PUBLISHERS WEEKLY
This 11th book about Yorkshire police officer Alan Banks is disappointing after 1999's Edgar-nominee, In a Dry Season, but contains enough elements of the familiar formula to satisfy dedicated fans. DCI Banks, his romance with police colleague Annie Cabbot having cooled off, is seriously thinking of asking his wife, Sandra, to end their separation and give the marriage another try. He's also applied to the National Crime Squad to escape his loathsome boss, Chief Constable Riddle. But just as Banks is packing for a weekend train jaunt to Paris, the wretched Riddle calls to ask a favor. Riddle's nine-year-old son, snooping around on the Internet, has come upon a naked picture of his 16-year-old sister, Emily, who ran away from home and disappeared into the London drugs and smut cesspool. Despite their mutual hatred, Banks--realizing what it took for Riddle to ask for his help in finding the girl--just can't refuse. This part of the story works well; Robinson makes no attempt to soften the nastiness of the stupid, resentful and politically ambitious Riddle or the apparent coldness of Riddle's wife. But things begin to get more complicated--and less believable--when the powerful London criminal with whom Emily has been living appears to be implicated in murder and business fraud in Yorkshire. Too many plot coincidences and clich s (a man is described as being "bald as a coot" twice) finally work against Robinson's greatest strength: his ability to keep Banks an interesting, realistic and changing human being.
