Cry of the Wind
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- 10,99 €
Description de l’éditeur
In an ancient time of icy splendor at the top of the world, can two people whose spirits belong to each other overcome the senseless violence between their tribes?
A wise storyteller and powerful hunter, Chakliux has one weakness: the beautiful Aqamdax, who has been promised to a cruel tribesman she does not love. But there can be no future for Chakliux and Aqamdax until a curse upon their peoples has been lifted. As they travel a dangerous path, they encounter greater challenges than the harsh terrain and the long season of ice. K'os, the woman who saved Chakliux's life when he was an infant, is now enslaved by the leader of the enemy tribe against whom she has sworn vengeance. To carry out her justice she will destroy anyone who gets in her way, even the storyteller she raised as her own son.
Cry of the Wind is the second book of the Storyteller Trilogy, which also includes Song of the River and Call Down the Stars.
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Book Two of the Storyteller Trilogy (after Song of the River) continues Harrison's tale of intertribal warfare and its tragic consequences some 80 centuries ago in the stark and inhospitable land that is present-day Alaska. In the Near River Village, the Aleut healing woman K'os swears vengeance against Fox Barking, who had enslaved her after his brutal rape left her unable to bear children. Not even her adopted son, Chakliux the storyteller, is safe from her obsessive need to avenge her misery. Chakliux, of the Cousin River Village, has another problem as well. He loves beautiful Aqamdax, who is caught in a loveless marriage to the cruel Night Man. The love between Chakliux and Aqamdax and the dangers they face as they try to elude K'os form the central plot of this wide-ranging tale. Harrison's research is clearly reflected in her meticulous attention to details as disparate as the careful sewing of a parka and the rituals of a caribou hunt. Her characters are based on ancient Native American mythologies and storytelling traditions. But in her ambition to create a panoramic view of this long-gone culture, she offers an unwieldy cast of two-dimensional characters who live in indistinguishable villages and scurry about in myriad subplots that serve only to illustrate how much Harrison knows about her subject.
