CSNY
Crosby, Stills, Nash and Young
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- 14,99 €
Description de l’éditeur
An engaging and illuminating biography focused on the formative and highly influential early years of “rock’s first supergroup” (Rolling Stone) Crosby, Stills, Nash, and Young—when they were the most successful, influential, and politically potent band in America.
After making their marks in popular bands such as the Hollies and the Byrds, David Crosby, Stephen Stills, and Graham Nash released their first album in May 1969. By the time they arrived at Woodstock a few months later, Neil Young had joined their ranks and together, their transcendent harmonies and evocative lyrics channeled all the romantic idealism and radical angst of their time.
Now, music journalist Peter Doggett chronicles these legendary musicians and the movement they came to represent at the height of their popularity and influence: 1969 to 1974. Based on interviews with the band and colleagues, along with exclusive access to CSNY’s archive, Doggett provides new insights into their incredible catalog, from their delicate acoustic confessionals like “Suite: Judy Blue Eyes” to their timeless classics such as “Our House.” Doggett also uncovers plenty of new stories and perspectives on the four tenacious and volatile songwriters’ infamously reckless, hedonistic, and often combative lifestyles that led to their continuous breakups and behaviors—extreme even by rock star standards.
“A must for CSNY fans and anyone who remembers the era when it ruled the pop charts” (Kirkus Reviews, starred review), CSNY is a quintessential and definitive account of one of the biggest bands of the Woodstock generation.
PUBLISHERS WEEKLY
As Doggett (You Never Give Me Your Money) notes in this appreciative, attentive history of Crosby, Stills, Nash & Young, the 1960s group spent roughly "two of the past fifty years as a functioning band" and the other 48 years "fending off questions about why they are no longer together." Doggett zeroes in on that brief, musically fruitful period when David Crosby (who came from The Byrds), Graham Nash (of The Hollies), Stephen Stills and Neil Young (both of Buffalo Springfield) united to create chart-topping mellow folk-rock fronted with an "unearthly vocal blend." In between tracking the ups and downs of the band's relationships, particularly Young's peripatetic unpredictability and Crosby's weaknesses ("instinct, ego, vulnerability, and cocaine"), Doggett delivers a solid rundown of its artistic highs (the release of the 1970 D j Vu album) and more frequent lows (constant infighting and Stills's arrest for narcotics possession). The group disbanded in 1970 but came together for a 1974 reunion tour, when they realized that performing to "Woodstock Nation" fans at least "guaranteed them a healthy income" on the nostalgia circuit. (Young recalls "the four of us and our handlers dividing up the loot and finding out exactly how much we made" after a Filmore show.) This honest, occasionally laudatory history will delight its baby boomer audience.