Death's Acre
Inside the Legendary Forensic Lab the Body Farm Where the Dead Do Tell Tales
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- 9,99 €
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- 9,99 €
Description de l’éditeur
“Fans of the forensics-oriented novels of such mystery writers as Kathy Reichs and Patricia Cornwell...not to mention television series like CSI: Crime Scene Investigation, will make an eager audience for this one.”—Booklist
On a patch of land in the Tennessee hills, human corpses decompose in the open air, aided by insects, bacteria, and birds, unhindered by coffins or mausoleums. This is Bill Bass’s “Body Farm,” where nature takes its course as bodies buried in shallow graves, submerged in water, or locked in car trunks serve the needs of science and the cause of justice.
In Death’s Acre, Bass invites readers on an unprecedented journey behind the gates of the Body Farm where he revolutionized forensic anthropology. A master scientist and an engaging storyteller, Bass reveals his most intriguing cases for the first time. He revisits the Lindbergh kidnapping and murder, explores the mystery of a headless corpse whose identity astonished police, divulges how the telltale traces of an insect sent a murderous grandfather to death row—and much more.
INCLUDES PHOTOGRAPHS
PUBLISHERS WEEKLY
In this memoir, Bass, a premier forensic anthropologist, recounts how a life spent studying dead bodies led to the creation of "The Anthropolgy Research Facility" (aka the Body Farm), a plot of land near the University of Tennessee Medical Center where Bass and his colleagues monitor the decomposition of human corpses in various environments. The book is structured around the 1981 creation of the Body Farm, and the early chapters focus on some of Bass's trickier cases to demonstrate his need for more information about the science of forensics. The later chapters take a closer look at how the scientific analysis of Body Farm corpses has helped Bass and other anthropologists solve some of the toughest and most bizarre cases of their distinguished careers. Though professional and conscientious when describing the medical facts of each case, Bass, writing with journalist Jefferson, proves to be a witty storyteller with a welcome sense of humor. He also does a nice job balancing accounts of death and decomposition with decidedly not-so-morbid tidbits from his personal life. Furthermore, the poignancy of how he reacts to the deaths of his first two wives reflects the compassion he feels for the dead and their surviving family members he encounters in his working life. Bass may deal with the dead, but he has a lust for life that comes across in his writing. While the grisly details may not make this a must-read for everyone, those who do pick it up might just be pleasantly surprised by how Bass brings death to life.
