Diary: October 2003‪.‬

Exhibitions

Edenistic Divergence

Testing the Canon of Ancient Near Eastern Art and Archaeology

The New York Market for French Art in the Gilded Age, 1867–1893

Architecture Art Museums and Urban Developments. Analysis

Antiquity in Gotham

de la Magie Blanche la Magie Noire': 'Primitivism', Magic, Mysticism and the Occult in Picasso.

Britain and the Bauhaus: Alan Powers Challenges the View That the Reception of the Bauhaus in 1930S Britain Went Little Futher Than Providing Temporary Shelter for Some of Its Teachers. Common Roots with the Bauhaus in the Arts and Crafts Movement Helps to Explain a Lively British Interest in the School's Ideals, Among Not Only Architects But Also Designers--and Even Puppeteers (Essay)

Modern British Painting: After Decades in Which Twentieth-Century British Art was Seriously Undervalued, Prices for Paintings are Finally Beginning to Reflect the Quality of the Works. Why has It Taken So Long?(Collector's Focus)

Giving Back the Loot Nazi-Era Claims Against UK Museums: In 2000 the British Government Set up a Panel to Examine Claims Against UK Museums by the Heirs of Collectors Whose Works of Art had been Looted During the Nazi Era, Martin Bailey Explains the Background and Examines the Eight Cases Currently in Process.

Great British Gauguin: His Reception in London in 1910-11 (Paul Gaugin)

Jean-Antoine Houdon: Sculptor of the Enlightenment.