Description de l’éditeur
Named a Most Anticipated Book of 2023 by LitHub
A new collection of vivid, personal and provocative work from the author of Or to Begin Again, a finalist for the 2009 National Book Award in poetry
In Ann Lauterbach’s eleventh collection, the image of a Door recurs across several poems, as she considers the perpetual dialogue between what is open and what is shut for each of us. The Door is a threshold between the inner landscape of memory, thought, imagination and dream and the outer so-called real world, which increasingly comes to us through technology’s lens, displacing and distorting our sense of intimacy, presence and relation. What is near, and what is far away? She asks about the efficacy of language itself, when confronted by the urgent uncertainties of contemporary experience.
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In this vivid 11th collection (after Spell), Lauterbach's careful diction ranges from plain speech to densely packed sound collages. "I wish to be clear," she writes, but "I object/ to the literal." Elsewhere, she claims "words are like small magnets,/ pulling other words toward them." The eponymous door recurs throughout: "Tenuous, the wire or thread, or single line/ drawn across, edge to edge,// or down to the wedge between/ frame and floor, like a slip of moonlight." Lauterbach brilliantly demonstrates how words have mutable meanings, as when a "slip" (a garment to be worn) is reframed as an exit: "The southern sky has turned peachy./ I would like to wear it out tomorrow/ as a slip. And so slip/ through a hole in the sky." As well, the poet portrays consciousness as "filmic," full of appearances and disappearances, and tinged by an underlying sadness: "I/ went through hoping to greet you/ on the dark side." These perceptive entries offer a captivating reflection on the range of inner landscapes and the powers of language.
