Description de l’éditeur
In Espresso Tales, Alexander McCall Smith returns home to Edinburgh and the glorious cast of his own tales of the city, the residents of 44 Scotland Street, with a new set of challenges for each one of them.
Bruce, the intolerably vain and perpetually deluded ex-surveyor, is about to embark on a new career as a wine merchant, while his long-suffering flatmate Pat MacGregor, set up by matchmaking Domenica Macdonald, finds herself invited to a nudist picnic in Moray Place in the pursuit of true love. Prodigious six-year-old Bertie Pollock wants a boy's life of fishing and rugby, not yoga and pink dungarees, and he plots rebellion against his bossy, crusading mother Irene and his psychotherapist Dr Fairbairn. But when Bertie's longed-for trip to Glasgow with his ineffectual father Stuart ends with Bertie taking money off legendary Glasgow hard man Lard O'Connor at cards, it looks as though Bertie should have been more careful what he wished for. And all the time it appears that both Irene Pollock and Dr Fairbairn are engaged in a struggle with dark secrets and unconscious urges of their own.
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Once again McCall Smith fixes his telescope on the windows of 44 Scotland Street, the converted Georgian townhouse in Edinburgh that provided the title for his previous novel and initiated this latest series. This time out, perhaps Bertie, the gifted five-and-three-quarter-year-old, will be allowed to have the normal boyhood envisioned by his father, Stuart, and go trout fishing instead of taking yoga and Italian lessons in the "ungendered" life designed by his mother, Irene. But maybe trout fishing will turn out to be less than idyllic. McCall Smith delivers plenty of twists and turns as he skewers the puffery, the pretense, the tedium and self-defeating moves in his characters' daily lives. He also forgives them their weaknesses and bathes them in love. Take Ramsey Dubarton, who puts his wife, Betty, to sleep by reading her installments of his memoirs: Betty dozes and the reader laughs with real admiration for his opacity. As ever, McCall Smith's pacing is impeccable: moving his focus from one character to another seamlessly, dropping in just the right amount of description, keeping the talk light and sharp. Fans of this new series, here served with plenty of java, will be buzzed to know that a third volume is in the making.
