Faking It
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- 10,99 €
Description de l’éditeur
From New York Times and USA Today bestselling author Jennifer Crusie comes Faking It, a deliciously sassy novel of intrigue, seduction, blackmail, art forgery, split personalities, and really great sex.
Meet the Goodnights, a respectable family who run a respectable art gallery—and have for generations. There's Gwen, the matriarch, who likes to escape reality; Eve, the oldest daughter, who has a slight identity problem (she has two); Nadine, the granddaughter, who's ready to follow in the family footsteps as soon as she can find a set that isn't leading off a cliff. And last, Matilda, the youngest daughter, who has inherited the secret locked down in the basement of the Goodnight Gallery, a secret she's willing to do almost anything to keep, even break into a house in the dead of night to steal back her past.
Meet the Dempseys, or at least meet Davy, a reformed con man who's just been ripped off for a cool three million by his financial manager, who then gallantly turned it over to Clea Lewis, the most beautiful sociopath Davy ever slept with. Davy wants the money back, but more than that, he'll do anything to keep Clea from winning, including break into her house in the dead of night to steal back his future.
One collision in a closet later, Tilda and Davy reluctantly join forces to combat Clea, suspicious art collectors, a disgruntled heir, and an exasperated hit man, all the while coping with a mutant dachshund, a jukebox stuck in the sixties, questionable sex, and the growing realization that they can't turn their backs on the people they were meant to be . . . or the people they were born to love.
PUBLISHERS WEEKLY
Bestseller Crusie (Fast Women,etc.) takes readers on another smooth ride in her latest romantic caper. At the wheel this time is fab art forger Matilda Goodnight, whose chance encounter in a closet with cute con man/thief Davy Dempsey leads to madcap mayhem and breathless romance. He's trying to steal back the money he filched from Clea Lewis, ex-girlfriend (and possible husband killer), who had taken it right back. Tilda just wants her last "Scarlet" painting, which Clea has bought to impress Mason Phipps, her rich art-obsessed beau. It's the last of six forgeries Tilda did for Tony, her now deceased gallery-owner dad, and Tilda is determined to preserve her newly squeaky-clean reputation. Confused yet? It gets wackier, because the whole Goodnight clan and supporting cast are as enormously engaging as the loopy plot. There's Tilda's mother, Gwen; her sister, Eve/Louise, a split-personality teacher/diva; her gay ex-brother-in-law, Andrew; and her precocious teenage niece, Nadine. Add a host of shady characters and would-be hitmen, and the breezy plot thickens and puffs up like the light airy doughnuts all Goodnight women are attracted to but eventually forsake for muffins: "Muffins are for the long haul and they always taste good. They don't have that oh-my-God-I-have-to-have-that thing that the doughnuts have going for them, but you still want them the next morning." Finally, defying all odds, Crusie answers the burning questions she poses can liars and thieves fall in love, live happily ever after and stay out of jail? while confirming the dangers of dating doughnuts.
