Familiar
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- 5,99 €
Description de l’éditeur
Elisa Brown is driving back from her annual visit to her son Silas's grave. The road is flat and featureless, and so she finds herself focussing on an old crack in her windscreen. For a moment, she loses sense of all else around her.
When she comes back to herself, everything has changed.
The car she is driving is not the same car. Her body is more subtly changed. She's wearing different clothes. But a name badge pinned to her blouse tells her she's still Elisa Brown. When she arrives home, her life is familiar, but different. There is her house, her husband. But in the world she now inhabits, Silas is no longer dead, and his brother is disturbingly changed. Elisa has a new job, and her marriage seems sturdier, and stranger. Has she had a psychotic break? Or has she entered a parallel universe? She soon discovers that these questions hinge on being able to see herself as she really is, something that might be impossible for Elisa or for anyone.
PUBLISHERS WEEKLY
A woman falls into an alternate version of her life but fails to convince anyone that her life was ever different in this stealthy and thought-provoking literary thriller. While on her annual pilgrimage to Wisconsin to visit her son Silas's grave, Elisa Brown discovers, in a blink, that she's wearing unfamiliar clothes and driving an unfamiliar car en route to an academic conference, where she is known as the graduate studies coordinator for a biotech center at an upstate New York university. It seems she's exchanged her lab job for a less intellectual role; her "habitual, practical, inert" union with Derek is now a loving relationship (due to counseling, it turns out). And Silas did not die in a car accident, but he and his brother, Sam, are estranged from their parents and living in California, for reasons Derek won't discuss. With no one to confide in about her growing sense of alienation and unease, Elisa seeks out specialists in alternate universes in her old field while going through the motions of her new routine. Lennon (Castle) succeeds by setting his odd, uncommon narrative in intimate terms that delve into Elisa's sense of confusion.
