Five Tuesdays in Winter
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2,0 • 1 note
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- 10,99 €
Description de l’éditeur
"Five Tuesdays in Winter moved me, inspired me, thrilled me. It filled up every chamber of my heart. I loved this book." —Ann Patchett
By the award-winning, New York Times bestselling author of Writers & Lovers and Euphoria comes a masterful new collection of short stories
Lily King, one of the most "brilliant" (New York Times Book Review), "wildly talented" (Chicago Tribune), and treasured authors of contemporary fiction, returns after her recent bestselling novels with Five Tuesdays in Winter, her first book of short fiction.
Told in the intimate voices of complex, endearing characters, Five Tuesdays in Winter intriguingly subverts expectations as it explores desire, loss, jolting violence, and the inexorable tug toward love at all costs. A reclusive bookseller begins to feel the discomfort of love again. Two college roommates have a devastating middle-aged reunion. A proud old man rages powerlessly in his granddaughter's hospital room. A writer receives a visit from all the men who have tried to suppress her voice.
Romantic, hopeful, brutally raw, and unsparingly honest, this wide-ranging collection of ten selected stories by one of our most accomplished chroniclers of the human heart is an exciting addition to Lily King's oeuvre of acclaimed fiction.
PUBLISHERS WEEKLY
National Book Critics Circle award winner King (Euphoria) delivers a rich and varied collection filled with characters whose lives are transformed by old and new acquaintances, addiction, and the written word. In the opener, "Creature," teenage narrator Carol finds summer employment as a nanny while she reads Jane Eyre, a novel that has strange and fascinating resonances for her. In "When in the Dordogne," the narrator, a "martini baby, conceived after one too many in late July 1971," struggles in the wake of his father's failed suicide. "The Man at the Door," the collection's finest entry, finds a writer who's also a mother experiencing the heaven of her avocation—"This morning, however, a sentence rose, a strange unexpected chain of words meeting the surface in one long gorgeous arc"—before being quickly brought back down to earth: "The baby bleated through the monitor. She'd only managed to get three sentences on the page." These stories crackle and shine, and King is a master of the thumbnail portrait: she can create a fully realized life in a single paragraph and then alter it in breathtaking ways. This is a must for fans of the short story.
