Ginster
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- Précommander
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- Sortie prévue le 13 août 2024
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- 10,99 €
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- Précommander
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- 10,99 €
Description de l’éditeur
When World War I breaks out, a young architecture student in Munich does everything in his power to avoid being enlisted into the German military in this perceptive, wickedly humorous novel by a prominent twentieth-century writer, journalist, and film critic.
Siegfried Kracauer’s Ginster is the great World War I novel you’ve never heard of. Here, the sheer horrors are kept offstage, as in Greek tragedy, and merely reported from time to time. The setting is the German home front. Its Chaplinesque antihero—Ginster—spends the war gumming up the German war machine as he maneuvers to stay out of its clutches and save his own skin.
Which he does; however, there is a deeper struggle going on between Ginster’s dreamy self-absorption and the pitiless organization of society, war or no war. Ginster has no wish to do anything. Alas, his reveries are forever being interrupted by the demands of an other-minded world.
All the scenes of Ginster are well to the rear of the military action, yet with Kracauer narrating, military language saturates all aspects of civilian life in the homeland. Ginster’s nearest and dearest are so gung-ho, he feels that he’s at the front when he visits them.
War, the author seems to say, is merely ordinary life seen from the back instead of the front. As a new European war darkens our horizon, one no more expected than was World War I, Kracauer’s novel feels timelier than ever.
PUBLISHERS WEEKLY
Translated into English for the first time by Skoggard, this brilliant WWI satire from German cultural critic Kraucauer (1889–1966; From Caligari to Hitler) was originally published in 1928. The novel begins in 1914, when, in an unnamed German city, the eponymous hero, 25, is told by his landlady, "You'll have to get in the war, too, it can't be helped." But it turns out that Ginster, a self-avowed "coward," can help it very much. As the war progresses, he mostly avoids the battlefield, first by being declared unfit by recruiters, and then, after he's drafted and trained in the use of a cannon, by getting dismissed for being too weak. Kraucauer's mordant satire has the caustic power of Celine but is less coarse and choleric. Sharp criticisms of patriotism, cronyism, and the war itself are tempered by the fanciful observations of a character who has the eye of a visual artist. Ginster's obsession with lines, spirals, and shapes fills the novel with arresting imagery, such as the description of a love interest "whose face acquired the mobility of a lovely grotto formation when she spoke." The result is a tour de force of language enriched by gallows humor.