God's Mountain
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- 6,99 €
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- 6,99 €
Description de l’éditeur
This is a story told by a boy in his thirteenth year, recorded in his secret diary. His life is about to change; his world, about to open.
He lives in Montedidio—God’s Mountain—a cluster of alleys in the heart of Naples. He brings a paycheck home every Saturday from Mast’Errico’s carpentry workshop where he sweeps the floor. He is on his way to becoming a man—his boy’s voice is abandoning him. His wooden boomerang is neither toy nor tool, but something in between. Then there is Maria, the thirteen-year-old girl who lives above him and, like so many girls, is wiser than he. She carries the burden of a secret life herself. She’ll speak to him for the first time this summer. There is also his friendship with a cobbler named Rafaniello, a Jewish refugee who has escaped the horrors of the Holocaust, who has no idea how long he’s been on this earth, and who is said to sprout wings for a blessed few.
It is 1963, a young man’s summer of discovery. A time for a boy with innocent hands and a pure heart to look beyond the ordinary in everyday things to see the far-reaching landscape, and all of its possibilities, from a rooftop terrace on God’s Mountain.
PUBLISHERS WEEKLY
With a surreal and quiet economy reminiscent of Max Frisch's Man in the Holocene (or perhaps Beckett's Ill Seen, Ill Said, only without the verbal gymnastics), this international bestseller has some of the innocent charm of Saint-Exup ry and much of the darkness to which European literary fiction is heir. The narrative is the diary of a 13-year-old boy at the cusp of manhood in an isolated world. The setting is Montedidio, or "God's Mountain," a "neighborhood of alleyways" in Naples, Italy, in the 1960s. The unnamed narrator struggles to learn "proper Italian" in lieu of his native dialect as he labors at a carpentry workshop and stoically observes the inexorable decline of his mother's health. His upstairs neighbor, Maria, a sadly wise girl his own age who's been seduced by their landlord, initiates his sexual experience. The tableau of near-grotesques includes a good-hearted homosexual printer, a hunchbacked Jewish cobbler who narrowly escaped the Holocaust, and the sensed presence of spirits and angels. The language, while simple, has surprising, fresh moments: the cobbler's cheerful stories "pump" the narrator's bones "full of air." Teardrops "burst" from eyes "with a shot from inside." While little new ground is covered, the book is effective in its poignant immediacy, as the narrator bears the rigors of a lonely and tragic coming of age. The story also chronicles the narrator's central passion: his boomerang, a gift from his father. As a simple and elegant trope, the boomerang encompasses both the freedom and hope inherent in his longing to escape, as well as the futility of his aspirations. After all, it flies far, but returns no matter how hard he tries to cast it away.
