Having and Being Had
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- 9,99 €
Description de l’éditeur
'A major achievement.' CLAUDIA RANKINE
'Endlessly absorbing.' SINÉAD GLEESON
'A probing tour of capitalism and class.' MAGGIE NELSON
'Exhilarating.' JENNY OFFILL
A personal reckoning with the intricacies of money, class and capitalism from the New York Times bestselling author.
Having just purchased her first home, Eula Biss embarks on a roguish and risky self-audit of the value system she has bought into. The result is Having and Being Had: a radical interrogation of work, leisure and capitalism. Playfully ranging from IKEA to Beyoncé to Pokémon, across bars and laundromats and universities, she asks, of both herself and her class, 'In what have we invested?
'As a writer Eula Biss has two great gifts. The first is her ability to reveal to the reader what has, all along, been hidden in plain sight . . . Her other talent is for laying bare our submerged fears . . . In Having and Being Had, both gifts are on display . . . if you are not deeply discomfited by the time you finish reading On Having and Being Had, you have no conscience.'
AMINATTA FORNA, GUARDIAN
'Calls on the controlled rush of poetry and turns experience into art.'
TIMES LITERARY SUPPLEMENT
'Nuanced . . . Biss' sentences have retained a poet's precision.'
IRISH TIMES
'Eula Biss's prescient new book gave me new language for things I didn't know I felt . . . A brilliant, lacerating re-examination of our relationship to what we own and why, and who in turn might own us.'
ALEXANDER CHEE
'No contemporary writer I know explores and confronts her own societal responsibilities better than Eula Biss.'
ALEKSANDER HEMON
'A meditation on race, consumerism and the American caste system. And a wry, vivd assessment of our spiritual moment. It is no accident that Having and Being Had reads like the poems money would write if money wrote poems.'
JEET THAYIL
PUBLISHERS WEEKLY
Biss (On Immunity) delivers a stylish, meditative inquiry into the function and meaning of 21st-century capitalism, inspired by becoming a homeowner for the first time. In essay-length ruminations divided into four sections ("Consumption," "Work," "Investment," and "Accounting"), Biss draws from incidents in her own life as an upper-middle-class Chicagoan and engages with works of literature, history, sociology, economics, and psychology. Disillusionment with items in a furniture store prompts a consideration of cultural critic Lewis Hyde and "the strange unspecific desire" of consumerism. Biss also reflects on her young son's education in the difference between cost and value as he earns the money to purchase and trade Pok mon cards with his friends. She examines women's labor through the works of Marxist social scientist Silvia Federici, novelist Virginia Woolf, and authors Joan Didion and Gertrude Stein, and analyzes popular culture, including the contract dispute behind Donna Summer's song "She Works Hard for the Money" and the anti-capitalist messages of Scooby-Doo, Where Are You? Biss doesn't shy away from acknowledging her own privilege, and laces her reflections with unexpected insights and a sharp yet ingratiating sense of humor, though she doesn't push too hard for change, either in her own life or her readers'. Still, this eloquent, well-informed account recasts the everyday world in a sharp new light.
