Hotel California
Singer-songwriters and Cocaine Cowboys in the L.A. Canyons 1967–1976
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- 10,99 €
Description de l’éditeur
The story of a remarkable time and place: Los Angeles from the dawn of the singer-songwriter era in the mid-Sixties to the peak of The Eagles’ success in the late Seventies.
‘Hotel California’ is an epic tale of songs and sunshine, drugs and denim, genius and greed, and is the first in-depth account of the LA Canyons scene between 1967 and 1976.
Hoskyn's history of this vital period in the development of today's great musical influences spans the rise of Joni Mitchell, Crosby Stills Nash and Young, The Eagles, James Taylor and Jackson Browne, and focuses on the brilliance and determination of David Geffen, the man who linked them all.
Covering genius, drug-crazed disintegration, and the myriad relationships between these artists and the songs that issued from them, and drawing on extensive interviews with countless stars, singers, writers, managers, executives and scenesters, ‘Hotel California’ is a pop-culture classic.
Reviews
‘Hoskyns impresses with the sheer weight of testimony he has amassed and the skill with which he has woven it into a tightly coiled and elegiac narrative.’ Christopher Silvester, Sunday Times
‘A terrific account of the interface between idealism and squalor, art and commerce.’ Guardian
‘The author skillfully teases out the complex web of relationships between the artists, managers, and record executives who made up the West Coast’s self-styled bohemian elite.’ Ben Thompson, Independent
‘if you are looking for the ingredients traditionally required of a good rock'n'roll story, then “Hotel California” has got the lot… An ambitious and authoritative account which makes overdue sense of a spectacularly decadent period of pop history’ David Sinclair, Guardian
About the author
Rock historian Barney Hoskyns is the author of nine books and has written about music and pop culture for numerous publications including NME, The Times, Guardian, Vogue and Mojo, of which he was Associate Editor. He lives in London.
PUBLISHERS WEEKLY
As musical scenes go, it would be hard to come up with a less dramatic one than that of the singer/songwriters who dominated Southern California from the mid-1960s through the mid-'70s. Nevertheless, British music journalist Hoskyns gamely tries to make the "denim navel-gazers and cheesecloth millionaires of the Los Angeles canyons" exciting in his no-nonsense account of those musicians' rise and fall. Jumping right in with little introduction, Hoskyns relays the particulars of the burgeoning scene that drew sensitive musicians west from Greenwich Village, limning the differences between those who lived in Topanga and Laurel Canyons and detailing the explosive shocks to their insular world (like the Monterey Pop festival and the Manson murders), all leading up to the cash-register mentality that formed the Eagles. The cast is robust-ranging from the intense Joni Mitchell and mercenary David Geffen to neo-beatnik Tom Waits-but not deeply examined. Hoskyns has a better ear for the music, letting his record-critic side take over with adjective-riddled prose. Still, Hoskyns's account shows how the "back-porch folkies" of the scene's early days eventually morphed into "Lear-jet superstars."
