Description de l’éditeur
“An ingenious revision” of Robert Louis Stevenson’s classic Gothic story told through the eyes of the fiend (The New York Times Book Review).
Mr. Hyde is trapped, locked in Dr. Jekyll’s house, certain of his inevitable capture. As the dreadful hours pass, he has the chance, finally, to tell his side of the story—one of buried dreams and dark lusts, both liberating and obscured in the gaslit fog of Victorian London’s sordid backstreets.
Summoned to life by strange potions, Hyde knows not when or how long he will have control of “the body.” When dormant, he watches Dr. Jekyll from a distance, conscious of this other, high-class life but without influence. As the experiment continues, their mutual existence is threatened, not only by the uncertainties of untested science, but also by a mysterious stalker. Hyde is being taunted—possibly framed. Girls have gone missing; a murder has been committed. And someone is always watching from the shadows. In the blur of this shared consciousness, can Hyde ever truly know if these crimes were committed by his hands?
Narrated by Hyde, this serpentine tale about the nature of evil, addiction, and the duality of man “delivers a new look at this enigmatic character and intriguing possible explanations for Jekyll’s behavior” (The Washington Post, Five Best Thrillers of 2014).
“Hyde brings into the light the various horrors still hidden in the dark heart of Stevenson’s classic tale . . . a blazing triumph of the gothic imagination.” —Patrick McGrath, author of Asylum
“Earthy, lurid, and unsparing . . . a worthy companion to its predecessor. It’s rich in gloomy, moody atmosphere (Levine’s London has a brutal steampunk quality), and its narrator’s plight is genuinely poignant.” —The New York Times Book Review, Editors’ Choice
PUBLISHERS WEEKLY
Narrated by Dr. Henry Jekyll, Robert Louis Stevenson's classic embodiment of the dark side of the human consciousness, this ambitious first novel provides an alternate perspective on Jekyll's chemical experiments on the split personality. Edward Hyde first emerges independent of Jekyll on the streets of London in 1884 not as the malevolent brute that Stevenson conjured, but as a member of the lower classes who is fiercely protective of his and Hyde's friends and interests. But over the course of two years, Hyde develops a reputation for evil that confounds him and that he suspects is being engineered by Jekyll, whose consciousness lurks inside his own, steering him into certain assignations and possibly committing atrocities while in his form. Levine slowly unfolds the backstory of Jekyll's schemes for Hyde, relating to his earlier failed "treatment" of a patient with a multiple-personality disorder, and traumatic events from Jekyll's own childhood that come to light in the novel's tragic denouement. Levine's evocation of Victorian England is marvelously authentic, and his skill at grounding his narrative in arresting descriptive images is masterful (of the haggard, emotionally troubled Jekyll, he writes, "He looked as if he'd survived an Arctic winter locked within a ship frozen fast in the wastes"). If this exceptional variation on a classic has any drawback, it's that it particularizes to a single character a malaise that Stevenson originally presented belonging universally to the human condition.
