In Black and White
The Life of Sammy Davis, Jr.
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- 11,99 €
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- 11,99 €
Description de l’éditeur
The untold story of Sammy Davis, Jr.: This incisive biography and sweeping cultural history conjures "the many worlds [Davis, Jr.] traversed, and shows how the issue of race, in his own mind and in the minds of his fans and detractors, shaped his career and life" (The New York Times).
For decades one of America’s most recognizable stars, the real Sammy Davis, Jr. has long remained hidden behind the persona the performer so vigorously generated—and so fiercely protected.
Here Wil Haygood brings Davis’s life into full relief against the backdrop of an America in the throes of racial change. He made his living entertaining white people but was often denied service in the very venues he played, and in his broad and varied friendships—not to mention his romances—Davis crossed racial lines in ways few others had.
In Black and White vividly draws on painstaking research and more than two hundred and fifty interviews to trace Davis, Jr.’s journey from the vaudeville stage to Broadway, Hollywood, and, of course, Las Vegas. It is an important record of a vanished America—and of one of its greatest entertainers.
PUBLISHERS WEEKLY
In this moving, exhaustive life of one of America's greatest entertainers, Haygood (King of the Cats: The Life and Times of Adam Clayton Powell Jr.) casts Sammy Davis Jr. as a man shifting between identities, between the worlds of black people and white people. Born into vaudeville and raised by his grandmother and vaudevillian father, Davis (1925 1990) never knew the world off the stage, never experienced a loving mother and never experienced racism until his stint in the army during WWII. Sammy spent most of his life before the army above the Mason-Dixon line in the protective bosom of the Will Mastin Trio (of which he and his father were two-thirds) and experienced his first love with a white woman in Montreal. From here, Haygood makes clear, Sammy wanted to be white he had mostly white friends and courted ivory-skinned, blond women. As his career and his determination to be accepted by white America grew, so did problems with the media, including death threats from angry Southerners and Hollywood moguls not wanting the reputation of their white starlets (e.g., Kim Novak) to be tainted by Davis. Haygood shows how Davis desperately needed love and attention, so much so that he switched allegiances, first backing Kennedy and marching with Martin Luther King Jr. and Jesse Jackson, then, years later, being seen on national TV giving a hug to Archie Bunker (while doing a cameo) and Richard Nixon (while campaigning for him). Haygood's reporting and powerful prose reveal Davis's career against the backdrop of the swinging '60s and the Rat Pack (with Sinatra as a mighty presence in Davis's life) and Davis as a tragically complex man.
