Include Me Out
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- 10,99 €
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- 10,99 €
Description de l’éditeur
An interpreter takes a vow of silence in order to re-define the terms on which she lives.
Mara is a simultaneous interpreter who moves to a provincial town in Argentina in order to speak as little as possible for a year. Steeled with the ten rules of silence set out in her manual of rhetoric, she takes a job as a guard in the local museum. The advantages of her work are threatened when she’s asked to assist in the re-embalming of the museum’s pride and joy: two horses—of great national and historical significance—are disintegrating and must be saved. But her goal and her slippery grasp on sanity lead her to more anarchistic means to bolster her purpose. Bold, subversive, and threaded through with acerbic wit, Include Me Out is an homage to silence and the impossibility of achieving it.
PUBLISHERS WEEKLY
Argentinian writer Cristoff's second book to be translated into English (after False Calm) is a dark, funny novel part psychological thriller, part social satire, part crime caper about a simultaneous interpreter who takes a vow of silence and a job at a provincial museum west of Buenos Aires. Mara is in her late 30s when her career as an interpreter at international conferences ends abruptly following an incident at a summit: she stops translating a philanthropist's speech and instead recites from her own manual on how to use spoken and unspoken communications to manipulate and maneuver, implicating the philanthropist, his audience, and even the interpreters. Afterwards, determined to speak as little as possible for a year, Mara finds work as a security guard at the Udaondo Museum in Luj n, founded in the 1920s to preserve local heritage. Her duties include guarding the Means of Transportation Room, which features two taxidermied horses, Mancha and Gato. An unwelcome promotion to assistant helping the taxidermist hired to repair Mancha and Gato provides Mara with the opportunity to use her planning and preparation skills for an act of sabotage that leaves the newly repaired horses in ruins. Cristoff cites jokes and historical documents, contrasts provincialism and cosmopolitanism, while devoting her most acute observations to the meaninglessness of words and the meanings of silence. This is a striking, clever novel.
