Intimacies
From the Booker Prize longlisted author of Audition
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2,5 • 2 notes
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- 8,99 €
Description de l’éditeur
'Captivating' Elif Shafak
'Charged with tension and power' Avni Doshi
'Simply stunning' Brandon Taylor 'Gorgeous' Raven Leilani
An interpreter has come to The Hague to escape New York and work at the International Court. A woman of many languages and identities, she is looking for a place to finally call home.
She's drawn into simmering personal dramas. Her lover, Adriaan, is separated from his wife but still entangled in his marriage.
Her friend Jana witnesses a seemingly random act of violence, a crime the interpreter becomes increasingly obsessed with as she befriends the victim's sister.
And she's pulled into an explosive political controversy when she's asked to interpret for a former president accused of war crimes.
She is soon pushed to the precipice, where betrayal and heartbreak threaten to overwhelm her, forcing her to decide what she wants from her life.
'One of my favourite novels of the past few years' Caleb Azumah Nelson
PUBLISHERS WEEKLY
Kitamura's plodding latest (after A Separation) follows a group of jet-setting young professionals in The Hague, where a translator finds herself enmeshed in the private lives of her colleagues. There's something vaguely unseemly about the unnamed translator's married suitor, Adriaan, as well as other characters, including her boss in Language Services, the preppy curator she house-sits for, and a book dealer who is mugged during a recent wave of violence. But it's hard to discern what anybody is actually up to. Meanwhile, in the courts, the translator is entrusted with the cases of a recently extradited jihadist and a well-heeled former president of a West African country on trial for war crimes, with whom she must match wits. There are, unfortunately, plenty of unused opportunities for deeper character development; Adriaan in particular is built up as a nemesis, but he does little more than preen, while even less can be said of the various other dilettantes and sexual rivals. Subtle to a fault, this adds up to very little outside of a plethora of dinner scenes and undeveloped subplots, while the translator simply drifts through a Henry James–style chronicle of life abroad. Kitamura is a talented writer, but this one disappoints.
