Julia
The Sunday Times Bestseller
-
- 7,99 €
Description de l’éditeur
A SUNDAY TIMES BESTSELLER
"a fascinating reflection on totalitarianism as refracted through Orwell's times and our own" The Guardian
London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive.
But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith, she comes to realise that she's losing her grip and can no longer safely navigate her world.
Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.
PUBLISHERS WEEKLY
Newman (The Men) delivers a provocative feminist retelling of George Orwell's 1984 from the perspective of Julia Worthing, a mechanic working on the machines in the Ministry of Truth's Fiction Department, where she's become a master at subverting surveillance. As a result, Julia enjoys a healthy clandestine sex life and averts the ever-present threat of the ironically named Ministry of Love's "eyeless mice gnawing at her in the dark." She soon becomes fascinated by Records Department colleague and fellow apostate Winston Smith, whom she dubs "old Misery." Unlike Orwell's Julia, Newman's is dominant and fastidious. Still, Newman stays true to Orwell's dystopian details as she places Julia at the center of 1984's plot points, such as having her feign allegiance and alliance to Big Brother and avoid even the suggestion of malfeasance and the horrors of Room 101 at all costs, until she can't. Julia's narrative voice is refreshingly fearless as she navigates her way around the Party's nefarious thought policing, and a wicked plot twist spins the original narrative on its ear. Newman adds a fresh coat of menacing gray to Orwell's gloomy world.
