Description de l’éditeur
Jenny Erpenbeck’s much anticipated new novel Kairos is a complicated love story set amidst swirling, cataclysmic events as the GDR collapses and an old world evaporates
WINNER OF THE 2024 INTERNATIONAL BOOKER PRIZE
LONGLISTED FOR THE 2023 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE
Jenny Erpenbeck (the author of Go, Went, Gone and Visitation) is an epic storyteller and arguably the most powerful voice in contemporary German literature. Erpenbeck’s new novel Kairos—an unforgettably compelling masterpiece—tells the story of the romance begun in East Berlin at the end of the 1980s when nineteen-year-old Katharina meets by chance a married writer in his fifties named Hans. Their passionate yet difficult long-running affair takes place against the background of the declining GDR, through the upheavals wrought by its dissolution in 1989 and then what comes after. In her unmistakable style and with enormous sweep, Erpenbeck describes the path of two lovers, as Katharina grows up and tries to come to terms with a not always ideal romance, even as a whole world with its own ideology disappears. As the Times Literary Supplement writes: “The weight of history, the particular experiences of East and West, and the ways in which cultural and subjective memory shape individual identity has always been present in Erpenbeck’s work. She knows that no one is all bad, no state all rotten, and she masterfully captures the existential bewilderment of this period between states and ideologies.”
In the opinion of her superbly gifted translator Michael Hofmann, Kairos is the great post-Unification novel. And, as The New Republic has commented on his work as a translator: “Hofmann’s translation is invaluable—it achieves what translations are supposedly unable to do: it is at once ‘loyal’ and ‘beautiful.’”
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Erpenbeck (Go, Went, Gone) sets the dissolution of a May-December romance against the backdrop of German reunification in her solemn and subtle latest. After a former lover dies in the present day, Katharina receives two boxes of diaries, tapes, and souvenirs that chronicle their relationship from decades earlier. Erpenbeck then flashes back to 1986, when Katharina, as a 19-year-old student in East Berlin, starts an affair with Hans, a married writer. The relationship is intense, physically and emotionally, especially after she admits to a brief fling with a younger man. Now, while listening to Hans's tapes, Katharina reckons with the depth of Hans's sexual and psychological control over her life ("So far as I am concerned, your deception is the greatest and most critical defeat of my life," he says to her on one of the vitriolic recordings). Their relationship is marked by the tension between beginnings and endings, love and hate, truth and deception, freedom and repression. It's also a struggle of wills between two generations with a very different experience of the crumbling Socialist state. This audacious dissection of unruly forces demonstrates how endings are already present in every personal or political beginning, however promising.