Lessons
the Sunday Times bestselling new novel from the author of Atonement
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4,7 • 7 notes
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- 8,99 €
Description de l’éditeur
The story of a life. The story of the year.
'Lessons shows [McEwan] at the very peak of his powers. He has written his masterpiece' Daily Telegraph
When the world is still counting the cost of the Second World War and the Iron Curtain has descended, young Roland Baines's life is turned upside down. Stranded at boarding school, his vulnerability attracts his piano teacher, Miriam Cornell, leaving scars as well as a memory of love that will never fade.
Twenty-five years later Roland's wife mysteriously vanishes, and he is left alone with their baby son. Her disappearance sparks of journey of discovery that will continue for decades, as Roland confronts the reality of his rootless existence and attempts to embrace the uncertainty - and freedom - of his future.
'Ian McEwan is a masterful storyteller' Elif Shafak
'A beautiful book about love, loss and regret' Observer
'Luminous, beautifully written... about lives imperfectly lived' Vogue
'A whole, unruly life between the covers of a single book: a literary feat' Spectator
'A tour de force... A single life is silhouetted against global happenings' Sunday Times
* A Book of the Year for The Times, Sunday Times, Financial Times, Spectator, New Statesman, Washington Post, Vogue and New Yorker *
PUBLISHERS WEEKLY
McEwan returns with his best work since the Booker- and NBCC-winning Atonement, a sprawling narrative that stretches from the commencement of the Cold War to the onset of the Covid-19 pandemic. Protagonist Roland Baines, "another inky boy in a boarding school," is 11 when his piano teacher, Miriam Cornell, begins to groom him for abuse. A sexual relationship ensues, and Roland never recovers from the experience. He grows into a distant underachiever, eventually finding work as a lounge pianist in London and, occasionally, as a journalist. He marries Alissa and has a son, Lawrence, but Alissa disappears when Lawrence is an infant. With help from the police, he tracks her movement to Paris, prompting bittersweet memories of their courtship. In 1986, three-year-old Lawrence obsesses over such events as the Chernobyl disaster while Roland confronts the lingering impact of Miriam's abuse and Alissa's sudden reappearance. Alissa then publishes a bestselling (and specious) memoir, which isn't so nice on Roland. Throughout, McEwan poignantly shows how the characters contend with major historical moments while dealing with the ravages of daily life, which is what makes this so affecting. He also employs lyrical but pared-down prose to great effect, such as the scene of Roland's father's funeral: "A thin teenage girl in a tight black trouser suit opened the door of the undertakers and made a formal nod as he entered." Once more, the masterly McEwan delights.
