Lest We Forget ... Remembering Through the Song of the Resilient Spirit (Critical Essay) Lest We Forget ... Remembering Through the Song of the Resilient Spirit (Critical Essay)

Lest We Forget ... Remembering Through the Song of the Resilient Spirit (Critical Essay‪)‬

Studies in the Humanities 2006, Dec, 33, 2

    • 2,99 €
    • 2,99 €

Publisher Description

Everything, everybody holds within their hearts a song: songs of life, songs of timeless things and timeless places, songs of laughter, and finally, songs of death. Even when facing death and hardship, these are the songs of the resilient spirit that each person sings in his/her own way. For many of us, these songs may come in haunting melodies, in voiceless utterings, or in the rustlings of the wind as it dances through cottonwoods and tall grasses. For others, their resilient songs may be heard through the beating of the drum or through the quiet voice whispering softly between the scripted lines of prose and poem. Onondaga poet Gail Tremblay reminds us that it is important to remember these songs because "to forget is to become part of a lie" (18). Perhaps Adelphena Logan (Cayuga) provides us with an understanding of what exactly is important to remember. In her book Memories of Sweet Grass, Logan speaks of the importance of the water drum in the lives of her people, the Haudenosaunee. (1) For Logan, it seems, the voice of the water drum sings back her resilient spirit: Song, particularly the song(s) that lives within in our hearts, is important in the remembering of who we are and where we come from, without the remembrance of which, we risk becoming integrated into the lie. It is this song of remembrance, perhaps better called "the resilient song of the spirit," which is particularly prevalent in Maurice Kenny's poetry.

GENRE
Reference
RELEASED
2006
1 December
LANGUAGE
EN
English
LENGTH
34
Pages
PUBLISHER
Indiana University of Pennsylvania, Department of English
PROVIDER INFO
The Gale Group, Inc., a Delaware corporation and an affiliate of Cengage Learning, Inc.
SIZE
377.3
KB
Each Page Lies Open to the Version of Every Other': History in the Poetry of Eilean Ni Chuilleanain. Each Page Lies Open to the Version of Every Other': History in the Poetry of Eilean Ni Chuilleanain.
2007
Delving Into Different Literary Terrains Delving Into Different Literary Terrains
2023
No Lasting Fruit at All': Containing, Recognition, And Relinquishing in the Girl Who Married the Reindeer. No Lasting Fruit at All': Containing, Recognition, And Relinquishing in the Girl Who Married the Reindeer.
2007
We could be in Any City': Eilean Ni Chuilleanain and Cork. We could be in Any City': Eilean Ni Chuilleanain and Cork.
2007
EUG·NE ONEGIN EUG·NE ONEGIN
2020
New Selected English Literature (Part 2) New Selected English Literature (Part 2)
2016
The Eternal Return: Andrei Tarkovsky's Nostalghia (Critical Essay) The Eternal Return: Andrei Tarkovsky's Nostalghia (Critical Essay)
2007
"You Know You Wanna Dance": Buffy the Vampire Slayer As Contemporary Gothic Heroine (Critical Essay) "You Know You Wanna Dance": Buffy the Vampire Slayer As Contemporary Gothic Heroine (Critical Essay)
2005
Shusaku Endo's "A Summer in Rouen": A Tragicomedy of Virtues Unhad and Goods Ungained (Critical Essay) Shusaku Endo's "A Summer in Rouen": A Tragicomedy of Virtues Unhad and Goods Ungained (Critical Essay)
2005
Atomic Bomb Cinema. The Apocalyptic Imagination on Film. (Book Reviews) (Book Review) Atomic Bomb Cinema. The Apocalyptic Imagination on Film. (Book Reviews) (Book Review)
2002
Lawrence's Ontology of Art: A Meditation on Van Gogh's Sunflowers (D.H. Lawrence, Vincent Van Gogh) (Critical Essay) Lawrence's Ontology of Art: A Meditation on Van Gogh's Sunflowers (D.H. Lawrence, Vincent Van Gogh) (Critical Essay)
2002
The Diasporic Memoirist As Saidian Itinerant Intellectual: A Reading of Leila Ahmed's A Border Passage. The Diasporic Memoirist As Saidian Itinerant Intellectual: A Reading of Leila Ahmed's A Border Passage.
2003