Mannequin
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- 8,49 €
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- 8,49 €
Description de l’éditeur
A young girl vanishes, leaving nothing behind but a pile of nude photos
Since the Germans occupied Paris, police inspector Jean-Louis St-Cyr has not been able to work a murder, robbery, or arson case without his German overlords demanding he work faster. His partner, Bavarian detective Hermann Kohler, does not share the sadism of many of his Gestapo colleagues, but he, too, has an obsession with speed. Their latest case calls for a sprint. For if they don't work quickly, a girl will die.
Joanne was a neighbor of St-Cyr's who answered a modeling ad and never came home. By the time St-Cyr and Kohler break down the door of the supposed agency, all that remains are snapshots of Joanne and others posing naked at gunpoint. Complicating their search is a massive bank robbery perpetrated the day Joanne disappeared. If they can find the connection between the two crimes, the girl will be safe—or at least as safe as a Parisian can be in the winter of 1942.
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Janes, a Canadian author, pens the remarkable 1940s series featuring Jean-Louis St.-Cyr of the Parisian Surete and Hermann Kohler, reluctantly of the Gestapo, whose joint efforts in occupied Paris during WWII have been chronicled in the admirable tales, Stonekiller, Sandman and Salamander. Equally compelling is the latest outing for this unlikely pair of criminal investigators, who continually grouse at each other but respect their mutual professionalism. Joanne Labelle, a pretty young neighbor of St-Cyr's, answered a newspaper ad for a model, or mannequin, and then disappeared. Four days later, coinciding with a robbery at a nearby bank, the two investigators find photos of Joanne and many other young women, naked and fearful, in a house near the Palais Royal. Bodies of the other girls are found, mutilated and brutally slain. St. Cyr and Kohler begin a particularly grim search that leads through the Parisian underworld into the twilight zone of wealthy and fashionable collaborators with the Nazis and, ultimately, to an art auction at which the star guest is Hermann Goring himself. As the two cases converge, Janes offers, in hundreds of authentic details, a searing picture of the misery, frequent opportunism and shifty uncertainties of the German occupation and, in his two protagonists, a believable bonding of improbable allies. The wind-up is genuinely spine-crawling.
