Maps and Legends
Reading and Writing Along the Borderlands
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- 12,99 €
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- 12,99 €
Description de l’éditeur
The Pulitzer Prize winner explores the literary joys of sci-fi and superheroes, gumshoes and goblins, and the stories that bring us together.
"I read for entertainment, and I write to entertain. Period." Such is the manifesto of Michael Chabon, an author of indisputable literary renown who maintains a fierce appreciation of the seductive arts of so-called "genre" fiction.
In this lively collection of sixteen critical and personal essays, the author of The Amazing Adventures of Kavalier & Clay champions the cause of westerns, horror, and all the stories, comics, and pulp fiction that get pushed aside when literary discussion turns serious. Whether he's taking up Superman or Sherlock Holmes, Poe or Proust, Chabon makes it his emphatic mission to explore the reasons we tell one another tales.
Throughout, Chabon reveals his own blooming as a writer, from The Mysteries of Pittsburgh to The Yiddish Policeman's Union. He is living proof of his theory that the stories that give us great pleasure are in many ways our truest, best art—the building blocks of our shared imagination—and in Maps and Legends, he "makes an inviting case for bridging the gap between popular and literary writing" (O, The Oprah Magazine).
This ebook features a biography of the author.
PUBLISHERS WEEKLY
You would hardly think, reading Chabon's new book of essays, that he won the Pulitzer Prize for a book about comics. Rather, he is bitter and defensive about his love for genre fiction such as mysteries and comic books. Serious writers, he says, cannot venture into these genres without losing credibility. "No self-respecting literary genius... would ever describe him- or herself as primarily an 'entertainer,' " Chabon writes. "An entertainer is a man in a sequined dinner jacket, singing 'She's a Lady' to a hall filled with women rubber-banding their underwear up onto the stage." Chabon devotes most of the essays to examining specific genres that he admires, from M.R. James's ghost stories to Cormac McCarthy's apocalyptic work, The Road. The remaining handful of essays are more memoir-focused, with Chabon explaining how he came to write many of his books. Chabon casts himself as one of the few brave souls willing to face ridicule from whom isn't entirely clear, though it seems to be academics to write as he wishes. "I write from the place I live: in exile," he says. It's hard to imagine the audience for this book. Chabon seems to want to debate English professors, but surely only his fellow comic-book lovers will be interested in his tirade.
