Mission Road
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- 4,99 €
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- 4,99 €
Description de l’éditeur
Rick Riordan, triple-crown winner of mystery’s most prestigious awards—the Edgar, the Anthony, and the Shamus—returns with a hotter-than-Texas-chili Tres Navarre crime drama. This time Navarre reopens a cold case to catch a killer getting away with murder . . . again.
“Riordan has a knack for showing readers a crazy good time.”—The New York Times Book Review
P.I. Tres Navarre is used to working the razor’s edge between legal and life sentence. But when an old friend appears at his door, blood-spattered and wanted for homicide, Tres jumps both feet into a no-man’s-land. Eighteen years ago an unsolved murder on notorious Mission Road threw the San Antonio underworld into bloody chaos. Now, armed and dangerous, the target of a citywide manhunt, Tres is on a collision course with the past. For on Mission Road waits a secret that will tear his life apart.
Praise for Mission Road
“Riordan is a master.”—Harlan Coben
“Anyone looking for a new Dave Robicheaux or Stephanie Plum mystery can add Riordan to his to-be-read list. He’s one of the real artists in the world of neo-noir.”—Milwaukee Journal Sentinel
“In Rick Riordan’s case, believe the hype. He really is that good.”—Dennis Lehane
“One of the best PI series being written today.”—Crimespree
Don’t miss any of these hotter-than-Texas-chili Tres Navarre novels:
BIG RED TEQUILA • THE WIDOWER’S TWO-STEP • THE LAST KING OF TEXAS • THE DEVIL WENT DOWN TO AUSTIN • SOUTHTOWN • MISSION ROAD • REBEL ISLAND
PUBLISHERS WEEKLY
The past collides explosively with the present in Edgar-winner Riordan's relatively weak sixth Tres Navarre novel (after 2004's Southtown) when Navarre's boyhood friend, reformed criminal Ralph Arguello, appears on his doorstep wearing a blood-soaked guayabera barely one step ahead of the San Antonio police. The cops believe Arguello's wife, cold case detective Ana DeLeon, is about to name her husband as the prime suspect in the 18-year-old unsolved murder of Franklin White, son of a local organized crime boss and, more incredibly, that Arguello shot her to slow down the investigation. Arguello convinces Navarre he's being set up, and the two of them struggle to evade a citywide manhunt and discover the real killer's identity. Riordan jump-cuts between the present and the mid-1980s to tell the story of White's murder and to provide background for the main characters, including Ana's mother Lucia, one of the city's first female cops. While the parallel narrative adds much needed depth, it dampens the pace and momentum. But the book's biggest flaw is the sitcom-like familiarity of the characters, including Navarre himself the self-deprecating, wise-cracking PI who could only exist as a fictional trope.
