Mythic Imagination
Collected Short Fiction
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- 8,49 €
Description de l’éditeur
Enjoy seven never-before-collected stories from the master of myth and story himself
Before he was the engaging professor who brought mythology into people’s living rooms through his conversations with Bill Moyers, before he became known as the thinker whose ideas influenced Star Wars, and before his now-beloved phrase “follow your bliss” entered the popular lexicon, Joseph Campbell was a young man who tried his hand at writing fiction. At the age of twenty-nine, after years of Depression-era unemployment, when he lived off money he had earned playing saxophone in a jazz combo and read the world’s great literature in a syllabus of his own design, Campbell published his first short story. That tale, included in this collection, remained the famed mythologist’s only published piece of fiction, until now.
In these stories, readers will find rich mythological symbolism, down-to-earth concerns with the ravages of the Second World War, and singular iterations of Campbell’s famous Hero’s Journey schema — all interwoven into a literary style that anticipates the genre that would years later come to be known as “magical realism.” Compelling in their own right, these seven stories are essential reading for longtime Campbell fans and the many who continue to discover him afresh.
PUBLISHERS WEEKLY
In his introduction, Kudler, Managing Editor of the Collected Works of Joseph Campbell, supplies what to him is a self-evident explanation as to why only one of the seven surviving pieces of Campbell's short fiction was published before: "Given that his fiction hewed to the tropes of neither the realistic nor the speculative fiction, it's no surprise that Campbell couldn't find a publisher for his stories." Most readers won't be surprised either, but for different reasons. Though Campbell had a great mind for mythology, he fumbles here with fiction that is unredeemed by portentous and overwrought prologues. Four of the stories form a "Where Moth and Rust" cycle, which "was discovered in a manuscript that comes to us, by a curious turn, from the most distant future," and depicts a "mood, which so collides (to its own great discredit) with the wholesome hopefulness of the modern Christian." That ponderous preamble doesn't make the first story, "The Forgotten Man," in which the white U.S. president wakes up as an African-American and is forced from office, any more palatable. Given the insights Campbell was capable of in his influential non-fiction, it's not surprising to learn that these subpar efforts predated his decision to concentrate on comparative mythology. Readers hoping for a reflection of his unquestioned expertise and sophistication in other areas will be disappointed.
