New Bedlam
A Novel
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- 4,49 €
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- 4,49 €
Description de l’éditeur
From the editorial head of MTV International and the author of the acclaimed first novel A&R comes a hugely entertaining black comedy about a big time NYC network television exec whose sudden firing forces him into a season in the wilderness as the head of a sorry family-run New England cable TV empire in the fictional town of New Bedlam, RI. Both wicked and big-hearted and often spit-take-level laugh-out-loud funny, New Bedlam is a wonderfully sharp, fun entertainment with real bite.
Bobby Kahn fired people. It was the only bad part of a job he loved. If you asked him about it he would say the same five words each of the other 24 network vice presidents said when you asked any of them: “It comes with the turf.” That’s how they talked. They were proudly unoriginal. It’s why they made good television executives. But then one day 36-year-old network golden boy Bobby Kahn of Massapequa Long Island gets the ax himself, the scapegoat for a programming scandal. As he falls from his perch, he grasps for any branch to cling to, but the only lifeline within reach is the once-unthinkably-ignominious opportunity to relocate to the Rhode Island seaside town of New Bedlam and assume the reins of a family-run cable business with a local pipeline monopoly and three small vanity stations.
PUBLISHERS WEEKLY
Flanagan's snarkily entertaining second novel (after A&R) is a smorgasbord of colorful personalities and riotous events that would only be slightly less at-home on a reality TV show. Bobby Kahn a hotshot young TV exec whose first big hit was the game show I'll Eat Anything! is fired after a scandal flares up when it's discovered that the producers rigged his latest reality show. Desperate to find another job before news of his firing spreads, Bobby accepts an offer to run King Cable, a family-owned and operated enterprise located in New Bedlam, R.I. Leaving the big city and having to downsize his ambition are bad enough, but managing and trying to subvert the egotistical whims of the King family heirs who run the network's three channels (one channel is dedicated to comic books) proves the greatest challenge. Though MTV senior vice president Flanagan is wryly philosophical about popular television's influence and base delights, he still manages to savagely skewer the medium. Granted, Flanagan's humor sometimes degenerates into mean-spiritedness (one character dies after his urine is accidentally administered intravenously), but his take on television's pathological weirdness is fun, fast-paced and unexpectedly endearing.
