Nightwork
Sexuality, Pleasure, and Corporate Masculinity in a Tokyo Hostess Club
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- 26,99 €
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- 26,99 €
Description de l’éditeur
In Nightwork, Anne Allison opens a window onto Japanese corporate culture and gender identities. Allison performed the ritualized tasks of a hostess in one of Tokyo’s many “hostess clubs”: pouring drinks, lighting cigarettes, and making flattering or titillating conversation with the businessmen who came there on company expense accounts. Her book critically examines how such establishments create bonds among white-collar men and forge a masculine identity that suits the needs of their corporations.
Allison describes in detail a typical company outing to such a club—what the men do, how they interact with the hostesses, the role the hostess is expected to play, and the extent to which all of this involves “play” rather than “work.” Unlike previous books on Japanese nightlife, Allison’s ethnography of one specific hostess club (here referred to as Bijo) views the general phenomenon from the eyes of a woman, hostess, and feminist anthropologist.
Observing that clubs like Bijo further a kind of masculinity dependent on the gestures and labors of women, Allison seeks to uncover connections between such behavior and other social, economic, sexual, and gendered relations. She argues that Japanese corporate nightlife enables and institutionalizes a particular form of ritualized male dominance: in paying for this entertainment, Japanese corporations not only give their male workers a self-image as phallic man, but also develop relationships to work that are unconditional and unbreakable. This is a book that will appeal to anyone interested in gender roles or in contemporary Japanese society.
PUBLISHERS WEEKLY
Japanese companies pay hundreds of thousands of dollars a year to hostess clubs that provide certain employees a release from job tensions. Here hostesses perform ritualized tasks--lighting cigarettes, pouring drinks, conversing in a stylized flirtatious manner--and while there is an erotic charge, the sex is implied, not performed. Duke University cultural anthropologist Allison's account of the four months she spent as a hostess at Bijo, a high-class Tokyo hostess club, is the first written description, in English or Japanese, devoted wholly to these after-work hangouts for corporate, white-collar sarariiman (``salaryman,'' an English/Japanese linguistic concoction). Allison has not written a voyeur's account, but a soundly researched study that provides substantial insights into the meanings of work and play for the Japanese. Whatever else they may do, the hostesses' first duty is to emphasize the client's strengths and his status as a desirable male, which, Allison argues, helps create the ideal sarariiman , one committed first and foremost to his job. Allison interviewed not only the hostesses and other Bijo staffers, but also wives of the men who frequent the club, club neophytes, managers of other hostess clubs, Japanese sociologists, journalists and others. Unlike previous books on Japanese nightlife, Allison's ethnography views Japanese night life from the eyes of a woman and feminist anthropologist. If the writing is occasionally dryly academic, Nightwork nonetheless provides valuable, thought-provoking reading for those interested in Japan, contemporary society or in gender roles.
