No Country for Old Men
a chilling literary Western exploring violence and morality on the bloody frontier
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5,0 • 1 note
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- 5,99 €
Description de l’éditeur
A savage tale of violence and morality in the American West, Cormac McCarthy's No Country for Old Men follows a Vietnam veteran's dark path after stumbling upon a drug deal gone wrong.
Adapted for the screen by the Coen Brothers (Fargo, True Grit), winner of four Academy Awards (including Best Picture).
'A Western thriller with a racy plot and punchy dialogue' – The Times
1980. Llewelyn Moss is hunting antelope near the Rio Grande when he discovers the aftermath of a drug deal turned deadly. Finding bullet-ridden bodies, several kilos of heroin, and a caseload of cash, he faces a choice – walk away or take the money and run. Choosing the latter, he knows, will change everything.
And so begins a terrifying chain of events, as each player in this brutal game seems determined to answer one question: how does a man decide in what order to abandon his life?
'It's hard to think of a contemporary writer more worth reading' – Independent
Part of the Picador Collection, a series showcasing the best of modern literature.
Praise for Cormac McCarthy:
‘McCarthy worked close to some religious impulse, his books were terrifying and absolute’ – Anne Enright, author of The Green Road and The Wren, The Wren
'His prose takes on an almost biblical quality, hallucinatory in its effect and evangelical in its power' – Stephen King, author of The Shining and the Dark Tower series
'In presenting the darker human impulses in his rich prose, [McCarthy] showed readers the necessity of facing up to existence' – Annie Proulx, author of Brokeback Mountain
Part of the Picador Collection, a series showcasing the best of modern literature.
PUBLISHERS WEEKLY
Seven years after Cities of the Plain brought his acclaimed Border Trilogy to a close, McCarthy returns with a mesmerizing modern-day western. In 1980 southwest Texas, Llewelyn Moss, hunting antelope near the Rio Grande, stumbles across several dead men, a bunch of heroin and $2.4 million in cash. The bulk of the novel is a gripping man-on-the-run sequence relayed in terse, masterful prose as Moss, who's taken the money, tries to evade Wells, an ex Special Forces agent employed by a powerful cartel, and Chigurh, an icy psychopathic murderer armed with a cattle gun and a dangerous philosophy of justice. Also concerned about Moss's whereabouts is Sheriff Bell, an aging lawman struggling with his sense that there's a new breed of man (embodied in Chigurh) whose destructive power he simply cannot match. In a series of thoughtful first-person passages interspersed throughout, Sheriff Bell laments the changing world, wrestles with an uncomfortable memory from his service in WWII and a soft ray of light in a book so steeped in bloodshed rejoices in the great good fortune of his marriage. While the action of the novel thrills, it's the sensitivity and wisdom of Sheriff Bell that makes the book a profound meditation on the battle between good and evil and the roles choice and chance play in the shaping of a life.
