Nursery Crimes
-
- 3,49 €
-
- 3,49 €
Description de l’éditeur
“Smart sleuthing…the way [Juliet] maintains her sense of humor while juggling detective chores and baby duty is awesome.”—The New York Times
A public defender turned Stay-at-home mom, Juliet Applebaum is bored with playdates and trips to the park—so near the end of her second pregnancy, she gets off the mommy track to track down a murderer….
Juliet isn’t too surprised when her feisty, tantrum-throwing two-year-old daughter doesn’t get into Hollywood’s premier preschool—but she’s shocked and suspicious when the school’s principal is killed in a hit-and-run accident. Against the advice of her screenwriter husband, and with her rambunctious toddler in tow, Juliet heads to the local playground to dig up some dirt on a disgruntled studio executive whose daughter wasn’t offered a place in the school. But she has some surprising new suspects to consider when her investigation takes her into a seedy on-line newsgroup—and the most dangerous parts of the human heart….
“[Juliet is] a lot like Elizabeth Peters’s warm and humorous Amelia Peabody—a brassy, funny, quick-witted protagonist.”—The Houston Chronicle
PUBLISHERS WEEKLY
Former federal prosecutor turned stay-at-home mom Waldman debuts with a humorous tale featuring a sleuth much like her creator. Juliet Applebaum gives up her job as a federal public defender to stay home with her small daughter, Ruby. Her screenwriter husband, Peter Wyeth, shares parenting duties. Juliet loves her family, but as she nears the end of her second pregnancy, she's restless, missing her job and worrying about her skills as a mother. Trouble starts when Juliet, Peter and Ruby attend an interview at the Heart's Song School, the most prestigious preschool in Los Angeles. The principal, Abigail Hathaway, doesn't seem impressed by either Ruby or her parents. Ruby doesn't get in--nor does the daughter of a temperamental and violent studio head, Bruce LeCrone. When Hathaway dies in a hit-and-run outside the school, Juliet immediately suspects LeCrone. But LeCrone turns out to have a solid alibi, so Juliet shifts the focus of her sub-rosa investigation to the victim's real-estate developer husband and rebellious daughter. Juliet's nosing around helps the police zero in on a suspect, but when she realizes that she's misinterpreted a crucial piece of evidence, she foolishly jeopardizes her own life, and that of her unborn child, to bring the killer to justice. Juliet's voice is strong and appealing, and the Hollywood satire is dead on, but in future outings perhaps Waldman can avoid putting an otherwise intelligent heroine into a clich d, vulnerable-female-in-peril denouement.
