Offended Sensibilities
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- 10,99 €
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- 10,99 €
Description de l’éditeur
From political fictionalist Alisa Ganieva: a neo-noir portrait of a legal system in which everything is broken and no one is innocent.
Offended Sensibilities chronicles a series of sudden deaths that occur among officials of a provincial Russian town. The events follow a notorious blasphemy law banning forms of expression that offend the sensibilities of religious believers – a law passed after Pussy Riot’s infamous 2013 church-side protest that resulted in their arrest.
With this novel, Ganieva moves beyond the Dagestani setting of her previous award-winning books, published in English by Deep Vellum: The Mountain and the Wall and Bride and Groom. In Offended Sensibilities, Ganieva seeks to address nationalism, Orthodox religiosity, sexuality, and political corruption. Suffused with a light touch and at times rollicking sense of humor, this timely, entertaining and thought-provoking novel can be read as an allegory for the current political, social, religious, and cultural climate in Russia today.
PUBLISHERS WEEKLY
No one is innocent or spared in Ganieva's splendid and gripping tale of Russian corruption and control (after Bride & Groom). Andrei Ivanovich Lyamzin, the regional minister of economic development in his provincial town, flags down a man named Nikolai for a ride, too paranoid to take an Uber. He then dies in Nikolai's car from a ruptured aorta, and his death is viewed with suspicion, as he had received countless threats. Nikolai is next to die, after receiving a strange note accusing him of murder. Ganieva portrays a pervasive chilling effect throughout the country, where history teachers are arrested for presenting a less-than-glowing portrait of the Soviet past. Lyamzin, meanwhile, committed nepotism to advance the careers of his headmistress wife, Ella, and his mistress, Marina Semyonova, who rose to the top of a construction company flush with government contracts, and which happened to employ Nikolai. As the investigation progresses into Lyamzin's death, only Marina Semyonova comes out on top. Ganieva gives her characters exceedingly pretentious airs—an assistant who survives Lyamzin has a "habit of collecting fancy words"—which adds to the sense that their lives are structured like a house of cards, and she makes their doom more than palpable. This is impossible to put down.
