Description de l’éditeur
Helen of Troy is in mourning for her dead husband, Paris. Killed in single combat with the merciless Apollo, his body is nothing but a scorched and blasted thing.
Hockenberry, her lover, still sneaks from her bed after their nights of lovemaking. And the gods still strike out from the besieged Olympos, their single-molecule bomb casings quantum phase-shifting through the moravecs' force shield and laying waste to Ilium. Or so Hockenberry and the amusing little metal creature, Mahnmut, have tried to explain to her.
Helen of Troy does not give a fig about machines. She must dress for the funeral.
And man and the gods and the unknown players in this tragedy must prepare for the final act. And a battle that will decide the future of the universe itself.
PUBLISHERS WEEKLY
Drawing from Homer's Iliad, Shakespeare's Tempest and the work of several 19th-century poets, Simmons achieves another triumph in this majestic, if convoluted, sequel to his much-praised Ilium (2003). Posthumans masquerading as the Greek gods and living on Mars travel back and forth through time and alternate universes to interfere in the real Trojan War, employing a resurrected late 20th-century classics professor, Thomas Hockenberry, as their tool. Meanwhile, the last remaining old-style human beings on a far-future Earth must struggle for survival against a variety of hostile forces. Superhuman entities with names like Prospero, Caliban and Ariel lay complex plots, using human beings as game pieces. From the outer solar system, an advanced race of semiorganic Artificial Intelligences, called moravecs, observe Earth and Mars in consternation, trying to make sense of the situation, hoping to shift the balance of power before out-of-control quantum forces destroy everything. This is powerful stuff, rich in both high-tech sense of wonder and literary allusions, but Simmons is in complete control of his material as half a dozen baroque plot lines smoothly converge on a rousing and highly satisfying conclusion.
