Original Fire
Selected and New Poems
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- 9,99 €
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- 9,99 €
Description de l’éditeur
“These molten poems radiate with the ferocity of desire, and in them Erdrich does not spin verse so much as tell tales—of betrayal and revenge, of hunting and being hunted.” —Minneapolis Star Tribune
A passionate book of poetry from Pulitzer Prize-winning author Louise Erdrich.
In this important collection, Erdrich has selected the best poems from her two previous books of poetry, Jacklight and Baptism of Desire, and added 19 new poems. In an entirely unique fashion, Original Fire unfolds the themes and introduces the characters of some of Erdrich’s most acclaimed fiction. The beloved storyteller Nanapush, most recently seen in The Last Report on the Miracles at Little No Horse, appears in these poems as the questing rascal Potchikoo. And a series of poems called “The Butcher’s Wife”—dating from 1984—contains, in embryo, the story of her novel, The Master Butchers Singing Club.
PUBLISHERS WEEKLY
Though a multiply award-winning novelist, Erdrich (Love Medicine, etc.) throughout the 1980s remained committed to verse; poems from Jacklight (1984) and Baptism of Desire (1989) represent her in many anthologies, some of them focused on Ojibwe heritage. This third book of poems begins with Erdrich's earliest work (much of it indebted to Richard Hugo), moves through a series of prose tales about the long-lived potato-trickster Potchikoo, then opens out into a mix of new and old verse. "All graves are pregnant with our nearest kin," Erdrich writes, and many of her poems regard first and last things motherhood, family, death and mourning sometimes as mythical universals, sometimes as they take place on reservations or in cold, forlorn small towns, each with its misfit (like "Step-and-a-Half Waleski") and its patron saint (the sarcastic "Rez Litany," the rapt "Seven Sleepers"). "The relentless throat call/ of physical love," and religions designed to deflect it, animate some of Erdrich's new sequences, which incorporate fairy tales, Christian ritual and reservation lore. Though her stark lines owe much (sometimes too much) to Louise Gl ck, Erdrich's particular landscapes and affiliations, and her way with myths and talismans, ensure that her poems, new and old, retain strengths all their own.
