Play It Again
An Amateur Against The Impossible
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- 10,99 €
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- 10,99 €
Description de l’éditeur
In 2010, Alan Rusbridger, the editor of the Guardian, set himself an almost impossible task: to learn, in the space of a year, Chopin’s Ballade No. 1 – a piece that inspires dread in many professional pianists.
His timing could have been better.
The next twelve months were to witness the Arab Spring, the Japanese tsunami, the English riots, and the Guardian’s breaking of both WikiLeaks and the News of the World hacking scandal.
In the midst of this he carved out twenty minutes’ practice a day – even if that meant practising in a Libyan hotel in the middle of a revolution as well as gaining insights and advice from an array of legendary pianists, theorists, historians and neuroscientists, and even occasionally from secretaries of state.
But was he able to play the piece in time?
PUBLISHERS WEEKLY
The struggle to keep up an inspiring musical hobby while maintaining a manic, high-powered career animates this sprightly memoir. Rusbridger, editor of London's Guardian newspaper and an amateur pianist, spent 18 months learning Chopin's Ballade in G Minor, a piece whose treacherous rhythms, blindingly fast filigree, thunderous chords, and death-defying keyboard leaps give fits to concert virtuosos. Rusbridger's account of trying to learn this widow-maker by practicing 20 minutes a day longer sessions resulted in "burning shoots of pain" makes an absorbing study in the intricate, exasperating physical niceties of high-performance piano playing. (His long-winded conversations with concert pianists from Daniel Barenboim to Murray Perahia on the meaning and emotional impact of the piece are less interesting, as talk about music tends to be; their pens es are usually as inchoate as Chopin's chromaticisms.) Meanwhile, Rusbridger handles breaking news (at one point he finds himself rehearsing the piece in war-torn Tripoli) and collaborates with Julian Assange on WikiLeaks revelations. The reader follows Rusbridger as he squeezes practice and a social life built around impromptu musicales into an unforgiving news cycle; the result is a vibrant tale of work-life balance and an imaginative case for the continuing importance of amateurism in a world fixated on professional expertise. Photos.
