Pulp
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- 15,99 €
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- 15,99 €
Description de l’éditeur
A gorgeous original graphic novel from the bestselling creators of KILL OR BE KILLED, MY HEROES HAVE ALWAYS BEEN JUNKIES, and CRIMINAL.
Max Winters, a pulp writer in 1930s New York, finds himself drawn into a story not unlike the tales he churns out at five cents a word—tales of a Wild West outlaw dispensing justice with a six-gun. But will Max be able to do the same when pursued by bank robbers, Nazi spies, and enemies from his past?
One part thriller, one part meditation on a life of violence, PULP is unlike anything award-winning BRUBAKER and PHILLIPS have ever done before. This celebration of pulp fiction set in a world on the brink is another must-have hardcover from one of comics’ most acclaimed teams.
“Like Scorsese and De Niro, BRUBAKER and PHILLIPS are the unmatched masters of a certain kind of storytelling. A new title from the sharpshooters behind Fatale and Criminal is reason enough to go on living.” —Joe Hill (Locke and Key)
PUBLISHERS WEEKLY
Brubaker and Phillips (Criminal) reunite in this comic with a killer hook, combining the best elements of westerns and crime noir for a double shot of classic pulp. New York City, 1939: Max Winter is an aging pulp writer, spinning gunslinger yarns inspired by his own youth on the frontier, where he and his brothers were once outlaws. With his literary aspirations frustrated and his income drying up, he teams up with a former Pinkerton agent to pull off the crime of the decade: robbing Hitler's agents on the eve of the infamous Times Square Nazi rally. Behind all the action and atmosphere is a thoughtful, carefully developed look at the legacy of the lawless frontier, the rise of fascism, and the cruelty of a world where, unlike in the pulps, the bad guys often win. In Phillips's photorealistic art, he can bash out violent action scenes in harsh, quick lines, then pause to render a subtle change in a character's expression. New York is drenched in warm colors and deep shadows, while the western flashbacks emulate the look of cheaply printed four-color pulp illustration, which transcends the gimmickry. The only disappointment in this tight, fast-paced homage to multiple pulp traditions is that it's so short. Readers will dig it, but they'll wish for more time with Max and his hardboiled world.
