Remote Feed
Stories
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- 12,99 €
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- 12,99 €
Description de l’éditeur
“Gilbert’s dead-on mimicry of conversational rhythms makes even the most ludicrous exchanges sound plausible, and he applies physical details sparingly and potently…wickedly funny.” —Adam Goodheart, The New York Times Book Review
The masterfully crafted stories that comprise Remote Feed mark the auspicious debut of a daring and remarkably perceptive writer. From war-torn Bosnia to a college sorority house to kill-or-be-killed Hollywood, David Gilbert uses bold prose and dark wit to paint a devastating picture of “normal” life on the brink of desperation and paranoia. His insights into the minor tragedies, disappointments, and desires that shape us reflect a deep understanding of human nature and a genuine compassion for his characters.
Filled with startling twists, piercing irony, and layers of meaning, the world Gilbert creates in Remote Feed is a complex one—often hilarious, sometimes frightening, but always fascinating.
“The short stories in David Gilbert’s Remote Feed speak volumes about the ways modern men seek adventure and comfort.” —Sara Nelson, Glamour
“These stories are funny and thoroughly entertaining…Keep an eye on this guy David Gilbert.” —Mike Musgrove, The Washington Post
PUBLISHERS WEEKLY
The alcoholic CNN news crew in the title story of this promising but ultimately unmoving debut have reached the far side of cynicism. "Stuck in the midlife crisis of the seventh drink" and worn out by a recent stint in Bosnia, one member of the crew sums up the TV news industry: "You can't believe what you see.... Instead, you turn it into fiction with well-done special effects." That statement applies equally well to many of the stories in this curiously undeveloped collection. The characters are overeducated, undersatisfied, self-aware; they often act as if they're writing the novel of their lives (and looking to sell the movie rights) more than actually living them. In "Anaconda Wrap," for example, a one-flop-too-many movie producer flees California in his Porsche and heads for Montana, only to find himself living out a farcical, 1990s version of his own private John Wayne myth. Individually, these stories are acerbic and entertaining. As a group, however, they diminish each other, sharing a tendency to end suddenly, unsatisfyingly, just when the characters' lives have begun to matter to the reader. This is the curse of many contemporary short-story collections--an engaging narrative voice taking precedence over a fully developed story arc. Still, given Gilbert's obvious talent, readers can hope that the pieces will start coming together very soon. FYI: Gilbert is completing a novel to be published by Scribner in 1999.
