Schubert's Winter Journey
Anatomy of an Obsession
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- 15,99 €
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- 15,99 €
Description de l’éditeur
Franz Schubert's Winterreise is at the same time one of the most powerful and one of the most enigmatic masterpieces in Western culture. In his new book, Schubert's Winter Journey: Anatomy of an Obsession, Ian Bostridge - one of the work's finest interpreters - focusses on the context, resonance and personal significance of a work which is possibly the greatest landmark in the history of Lieder. Drawing equally on his vast experience of performing this work (he has performed it more than a hundred times), on his musical knowledge and on his training as a scholar, Bostridge unpicks the enigmas and subtle meaning of each of the twenty-four songs to explore for us the world Schubert inhabited, bringing the work and its world alive for connoisseurs and new listeners alike. Originally intended to be sung to an intimate gathering, performances of Winterreise now pack the greatest concert halls around the world.
Though not strictly a biography of Schubert, Schubert's Winter Journey succeeds in offering an unparalleled insight into the mind and work of the great composer.
'Usually great singers cannot explain what they do. Ian Bostridge can. Whether or not you know Schubert's 'Winter Journey', the book is gripping because it explains, in probing, simple words, how a doomed love is transformed into art.' Richard Sennett
PUBLISHERS WEEKLY
In 1828, Franz Schubert gathered his circle of friends to perform Winterreise (Winter Journey), his latest song cycle, for them; they found the music gloomy and mournful, but Schubert who died that year at age 31 said that he liked these songs more than all the others he had composed, and that his listeners would come to like them as well. Schubert's 24-song cycle, originally written to be recited by a male vocalist and piano for 70 minutes, without interruption, in intimate settings, is now performed in large concert halls around the world. English tenor Bostridge, who has sung these pieces frequently, offers his take on the meaning and enduring power of Winterreise. Most of the short chapters are written in elegant prose that soars off the pages, though some fall surprisingly flat. Bostridge probes the historical context of each piece and explores its connections to other arts. For example, he points out the connections between the music and lyrics of the cycle's first song, "Good Night," and Goethe's two poems "Fairy King" and "Gretchen at the Spinning Wheel": the poems animate the entire song and, musically, "subtle changes are used to shift perspective or emotional temperature." The words of "Rest," the 10th song in Winterreise, reflect a "rebellious ferocity and a testament to repressed energy and pain." Bostridge's illuminating reflections will guide readers as they listen again, or for the first time, to the nuances of Schubert's great work.
