Scrublands
The Sunday Times Crime Book of the Year, soon to be a major TV series
-
-
4,0 • 2 notes
-
-
- 5,49 €
-
- 5,49 €
Description de l’éditeur
* * *NOW A MAJOR BBC TV SERIES * * *
THE #1 BESTSELLING AUSTRALIAN CRIME NOVEL
WINNER OF THE CWA JOHN CREASEY DAGGER
SUNDAY TIMES CRIME BOOK OF THE YEAR 2019
'Shimmers ... a tortured tale of blood and loss' Val McDermid
'Stunning ... Scrublands is that rare combination, a page-turner that stays long in the memory' Sunday Times (Crime Book of the Month)
In an isolated country town ravaged by drought, a charismatic young priest opens fire on his congregation, killing five men before being shot dead himself.
A year later, journalist Martin Scarsden arrives in Riversend to write a feature on the anniversary of the tragedy. But the stories he hears from the locals don't fit with the accepted version of events.
Just as Martin believes he is making headway, a shocking discovery rocks the town. The bodies of two backpackers - missing since the time of the massacre - are found in the scrublands. The media descends on Riversend and Martin is the one in the spotlight.
Wrestling with his own demons, Martin finds himself risking everything to uncover a truth that becomes more complex with every twist. But there are powerful forces determined to stop him, and he has no idea how far they will go to make sure the town's secrets stay buried.
PUBLISHERS WEEKLY
Sydney journalist Martin Scarsden, the hero of Australian author Hammer's stellar first novel, is still recuperating from a traumatic experience while covering a story in the Middle East when he's sent to Riversend to write an article about how the people of the drought-stricken town are coping one year after Byron Swift, a local priest, inexplicably shot down five men in cold blood outside his church one Sunday morning. Martin first stops at a bookstore, where he meets its beautiful owner, Mandalay Blonde, who's struggling to come to grips with a painful past. Mandy insists that Byron, who was killed by a cop shortly after he committed his horrific crime, was a decent man who treated her and her late mother kindly, not the child abuser some believed him to be. Mandy urges Martin to try to find out why he did it. Martin learns after talking to others that more tragedies may be connected with the mass murder. The stakes rise when Martin breaks a journalist's fundamental rule by becoming part of the story, which turns out to be a "heady mix of murder, religion, and sex," as Martin comes to realize. Richly descriptive writing coupled with deeply developed characters, relentless pacing, and a bombshell-laden plot make this whodunit virtually impossible to put down.
