Secrecy
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- 15,99 €
Description de l’éditeur
Zummo - a 17th-century prodigy and creator of figures so realistic they look as though they might draw breath - has spent his life fleeing his past. Summoned to the Medici court by the Grand Duke, a man of holy devotions and hidden longings, Zummo finds himself in a city riddled with hypocrisy and contradictions, where adulterers are publicly flogged, while within the palace walls members of the court indulge their nefarious pleasures. Commissioned by the Grand Duke to sculpt a life-size Venus from wax, Zummo scours the streets for inspiration. But 1690s Florence is a place of unforseen dangers and secrets still more devastating than his own, and when a young woman's body is found on the banks of the Arno, Zummo suspects that the source of vice has its bed in the Medici court. As he proceeds with his creation, he begins to wonder whether this perfect woman will be his salvation or his downfall.
Set in a Florence blighted by corruption and austerity, Secrecy is a tour de force of whispered pleasures and startling revelations. It is a scintillating, breathtaking read from a novelist at the height of his powers.
PUBLISHERS WEEKLY
Beautifully evocative prose ("A burnt-orange sun dropped, trembling, from behind a bank of cloud, like something being born") makes this unusual historical novel truly memorable. In 1691, a mysterious artist known as Zummo, or Zumbo, with a taste for the macabre, is summoned to Florence by Cosimo III, the Grand Duke of Tuscany. After viewing a typically grim sample of Zummo's work, a tableau in wax depicting plague victims in various stages of deterioration (titled The Triumph of Time), Cosimo hires Zummo to craft a realistic-looking, life-sized woman out of wax. The commission rubs Dominican cleric Stufa, the spiritual adviser to Cosimo's mother, the wrong way. Subsequent court intrigue turns deadly, and, throughout, the reader wonders about the prologue, set in 1701, in which Zummo meets the abbess of a convent in Orl ans, Marguerite-Louise, whom he confronts with news of her secret daughter before launching into a flashback to his involvement with the Grand Duke. But the plot twists take a back seat to the complex picture Thomson gives of his oddball protagonist, a man given to wandering around carrying "little theaters filled with...the dead and dying" in the name of art.
