Description de l’éditeur
Solo by Kwame Alexander and Mary Rand Hess is a New York Times bestseller! Kirkus Reviews said Solo is, “A contemporary hero’s journey, brilliantly told.” Through the story of a young Black man searching for answers about his life, Solo empowers, engages, and encourages teenagers to move from heartache to healing, burden to blessings, depression to deliverance, and trials to triumphs.
Blade never asked for a life of the rich and famous. In fact, he’d give anything not to be the son of Rutherford Morrison, a washed-up rock star and drug addict with delusions of a comeback. Or to no longer be part of a family known most for lost potential, failure, and tragedy, including the loss of his mother. The one true light is his girlfriend, Chapel, but her parents have forbidden their relationship, assuming Blade will become just like his father.
In reality, the only thing Blade and Rutherford have in common is the music that lives inside them. And songwriting is all Blade has left after Rutherford, while drunk, crashes his high school graduation speech and effectively rips Chapel away forever. But when a long-held family secret comes to light, the music disappears. In its place is a letter, one that could bring Blade the freedom and love he’s been searching for, or leave him feeling even more adrift.
Solo:
Is written by New York Times bestselling author and Newbery Medal and Coretta Scott King Book Award-winner Kwame AlexanderShowcases Kwame’s signature intricacy, intimacy, and poetic style, by exploring what it means to finally go homeAn #OwnVoices novel that features a BIPOC protagonist on a search for his roots and identityReceived great reviews from Publishers Weekly, School Library Journal, Booklist, and Kirkus.
If you enjoy Solo, check out Swing by Kwame Alexander and Mary Rand Hess.
PUBLISHERS WEEKLY
Betrayed by those closest to him and stunned by a family secret, 17-year-old Blade Morrison flees his comfortable but chaotic life as the son of a drug-addicted rock star. Seeking answers and closure, Blade travels to the Ghanaian village of Konko, where he gains new perspective on family and belonging. Writing in free verse, Alexander and Hess, who recently collaborated on Animal Ark, strongly communicate Blade's frustration and disappointment ("I have taken for granted/ the palm trees of Cali... planted by Spanish missionaries/ in the 18th century.... They don't belong here./ And neither do I"). Lyrics from Blade's songs (and interspersed references to songs from Lenny Kravitz, Metallica, and others) emphasize the importance of music in his life, both as a link to his family and as a way to express himself. Blade's interactions with his father, a Ghanaian young woman named Joy, and a child named Sia are especially poignant, so much so that these secondary characters can draw focus. But many readers will identify with Blade's struggle to find his place in a family where he feels like an outsider. Ages 13 up.)
