Stolen
Women of the Otherworld
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- 9,99 €
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- 9,99 €
Description de l’éditeur
In the tradition of Laurell K. Hamilton, a deliciously wicked sequel to Bitten, from Canada's new queen of suspense.
Even though she's the world's only female werewolf, Elena Michaels is just a regular girl at heart—with larger than normal appetites. She sticks to three feasts a day, loves long runs in the moonlight, and has a lover who is unbelievable frustrating yet all the more sexy for his dark side. Like every regular girl, she certainly doesn't believe in witches. Then again, when two small, ridiculously feminine women manage to hurl her against a wall, and then save her from the hunters on her tail, Elena realizes that maybe there are more things in heaven and earth than she's dreamt of.
Vampires, demons, shamans, witches—in Stolen they all exist, and they're all under attack. An obsessed tycoon with a sick curiosity is well on his way to amassing a private collection of supernaturals, and plans to harness their powers for himself—even if it means killing them. For Elena, kidnapped and imprisoned deep underground, separated from her Pack, unable to tell her friends from her enemies, choosing the right allies is a matter of life and death.
PUBLISHERS WEEKLY
Elena Michaels, the only known female werewolf, cavorts on a more fully cultivated supernatural playing field in this sure-footed follow-up to Bitten (2001). While investigating a suspicious notice advertising information for sale about werewolves, Elena meets witches Paige and Ruth Winterbourne and, to her misfortune, a team of mortal and supernatural commandos who abduct Elena and Ruth to a remote underground bunker in the wilds of Maine. There Ty Winsloe, "billionaire and computer geek extraordinaire," is collecting a menagerie representing all the supernatural species that coexist anonymously with humanity (vampires, werewolves, witches, etc.). While his scientists study such creatures in the hope of distilling their uncanny powers as salable commodities, Winsloe hunts those captives who have outlived their usefulness in cruel most-dangerous-game fashion. Elena's efforts to outsmart Winsloe long enough to apprise her Pack of her whereabouts are complicated by a werewolf wannabe among the captors. Though the tale is pretty much a prison-break story spiffed up with magic, Armstrong leavens the narrative with brisk action and intriguing dollops of werewolf culture that suggest a complex and richly imagined anthropologic backstory. The sassy, pumped-up Elena makes a perfect hardboiled horror heroine, with enough engaging attitude to compensate for the loose ends left untied to set up her next adventure.
