Sunnyside
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- 3,99 €
Description de l’éditeur
From the author of the acclaimed Carter Beats the Devil comes a grand entertainment with the brilliantly realized figure of Charlie Chaplin at its centre: a novel at once cinematic and intimate, thrilling and darkly comic, which dramatizes the moment when American capitalism, a world at war, and the emerging mecca of Hollywood intersect to spawn an enduring culture of celebrity.
Sunnyside follows three overlapping fortunes: Leland Wheeler, son of the last (and worst) Wild West star, as he heads to the battlefields of France; snobbish Hugo Black, drafted to fight in Russia under the British general, Edmund Ironside; and Chaplin himself, contending with studio moguls, accusations of cowardice, his unchecked heart and, most menacing of all, his mother, as he pursues the goal of making a movie ‘as good as he was’.
With a cast of enthralling characters both historical and fictional, Sunnyside is a heart-rending, spellbinding novel about dreams, ambition and the dawn of the modern age.
PUBLISHERS WEEKLY
From the bestselling author of Carter Beats the Devil comes an elegant blend of reality and fiction, war drama and Hollywood glamour. Gold sets into motion his cameo-heavy, multipronged plot with a bizarre incident in winter 1916, when Charlie Chaplin is spotted simultaneously in 800 places across the country, causing mass hysteria and panic. The primary story line follows Chaplin's struggles with women, creativity, film budgets and his opposition to the war. In a second, intersecting world, Leland Wheeler moves from the hinterlands to San Francisco with dreams of being a film star. He rechristens himself Leland Duncan, and though he gets shipped to the battlefields of France, the two ailing puppies he finds over there later provide his entr e to the movie biz. Finally, Hugo Black is a Detroit gentleman who volunteers for the infantry in an uncharacteristic whim and finds himself fighting in America's secret invasion of Russia. The result is a dramatic narrative of chance and coincidence, and also a serious reconstruction of an evolving social landscape. It is wholly exhausting and entirely satisfying: to borrow an idea from Chaplin's great personal-artistic quest in the book, it's a work as good as Gold.
