Teresa, My Love
An Imagined Life of the Saint of Avila
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- 40,99 €
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- 40,99 €
Description de l’éditeur
Mixing fiction, history, psychoanalysis, and personal fantasy, Teresa, My Love turns a past world into a modern marvel, following Sylvia Leclercq, a French psychoanalyst, academic, and incurable insomniac, as she falls for the sixteenth-century Saint Teresa of Avila and becomes consumed with charting her life. Traveling to Spain, Leclercq, Julia Kristeva's probing alter ego, visits the sites and embodiments of the famous mystic and awakens to her own desire for faith, connection, and rebellion.
One of Kristeva's most passionate and transporting works, Teresa, My Love interchanges biography, autobiography, analysis, dramatic dialogue, musical scores, and images of paintings and sculpture to engage the reader in Leclercq's—and Kristeva's—journey. Born in 1515, Teresa of Avila outwitted the Spanish Inquisition and was a key reformer of the Carmelite Order. Her experience of ecstasy, which she intimately described in her writings, released her from her body and led to a complete realization of her consciousness, a state Kristeva explores in relation to present-day political failures, religious fundamentalism, and cultural malaise. Incorporating notes from her own psychoanalytic practice, as well as literary and philosophical references, Kristeva builds a fascinating dual diagnosis of contemporary society and the individual psyche while sharing unprecedented insights into her own character.
PUBLISHERS WEEKLY
Kristeva, a preeminent French linguist and psychoanalyst, continues her advance into literature with an impenetrable book about psychoanalyst Sylvia Leclercq's intellectual dissection of Teresa of vila, a Catholic saint who flourished during the 16th-century Counter-Reformation. Masquerading as a novel, the text is really an expansive psychoanalytical sketch of Teresa, with brief, opaque forays into Sylvia's life as a bored academic juggling a bevy of indistinguishable male lovers. Familiarity with both Teresa's life and with the basics of Freudian-Lacanian theory are required to wade through the dense text, and Kristeva wastes no time on background information before plunging into an esoteric, stream-of-consciousness analysis of the saint's writings. Halfway through the novel, readers are treated to a few chapters of straightforward history, a breath of fresh air after hundreds of pages of laborious prose ("a suffering-jubilant body turns into characters and visions, a cascade of third persons brought about by the grace of the Other, the better to know oneself in losing oneself"). There are frequent interruptions a theatrical reimagining of Teresa's deathbed, song lyrics, authorial commentary by both Kristeva and Sylvia that add little to the plot or to a deeper understanding of Teresa. Kristeva's literary experiment is ambitious but the result is disappointing.
