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Description de l’éditeur
Shortlisted for International Dublin Literary Award
'Remarkable . . . a novel about people that never loses its sense of humanity.' Sunday Times
'Zeniter’s extraordinary achievement is to transform a complicated conflict into a compelling family chronicle' Wall Street Journal
Naïma has always known that her family came from Algeria – but up until now, that meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she’s learned from her grandparents’ tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled.
On the past, her family is silent. Why was her grandfather Ali forced to leave? Was he a harki – an Algerian who worked for and supported the French during the Algerian War of Independence? Once a wealthy landowner, how did he become an immigrant scratching a living in France?
Naïma’s father, Hamid, says he remembers nothing. A child when the family left, in France he re-made himself: education was his ticket out of the family home, the key to acceptance into French society.
But now, for the first time since they left, one of Ali’s family is going back. Naïma will see Algeria for herself, will ask the questions about her family’s history that, till now, have had no answers.
Spanning three generations across seventy years, Alice Zeniter’s The Art of Losing tells the story of how people carry on in the face of loss: the loss of a country, an identity, a way to speak to your children. It’s a story of colonization and immigration, and how in some ways, we are a product of the things we’ve left behind.
Translated from the French by Frank Wynne
This book is supported by the Institut français (Royaume-Uni) as part of the Burgess programme
In Zeniter's ruminative latest (after Take This Man), a French Algerian woman unearths her shrouded family history and reckons with the question of what constitutes a homeland. Ali, a veteran of the WWII French auxiliary, has built a sizable olive oil business in Algeria, but flees for France with his family after Algeria wins its independence. Ali's eldest son, Hamid, assimilates into French culture and distances himself from his family, while Naima, Hamid's art historian daughter, who endures bigotry after the Charlie Hebdo massacre and other acts of terrorism, delves headlong into research on Algeria in preparation for an art exhibit by expatriate Algerian artist Lalla Fatma N'Soumer. During their interviews, she struggles to grasp the stories Lalla tells her about Algeria while piecing together an understanding of her own identity, given that Hamid had refused to take her to Algeria as a child. A trip to a museum in Tizi Ouzi provides cover for a search for information about Ali, but on the way she worries how she'll be treated as a descendent of French allies. Zeniter skillfully demonstrates the impact of colonialism on family, country, and the historical archive. With nuance and grace, this meditative novel adds to the understanding of a complex, uncomfortable era of French history.