Description de l’éditeur
For months, the city has lived in fear of the Bat. A master criminal hindered by neither scruple nor fear, he has stolen over one million dollars and left at least six men dead. The police are helpless, the newspapers know nothing—even the key figures of the city's underworld have no clue as to the identity of the Bat. He is a living embodiment of death itself, and he is coming to the countryside. There, he will encounter the only person who can stop him: adventurous sixty-five-year-old spinster Cornelia Van Gorder. Last in a long line of New York society royalty, Cornelia has found old age to be a bore, and is hungry for a bit of adventure. She's going to find it—in a lonely old country house where every shadow could be the Bat.
PUBLISHERS WEEKLY
Rinehart's 1920 mystery features a remote country house filled with suspects, a forbidden romance, a cache of hidden money and a mysterious killer known only as The Bat. But sadly, this novel does not adapt well to audio. Long, descriptive passages and repetitive conversations (particularly between wealthy spinster Cornelia Van Gorder, who insists there's no danger, and nervous maid Lizzie, who insists there is) can be skimmed over by the reading eye, but on audio they seem interminable, draining all suspense. Frasier is a competent but unremarkable narrator. She differentiates between male and female characters, but does not create distinctive voices. Her Irish accent for Lizzie is passable; her Japanese accent for butler Billy is laughable. This tale would probably work better as a radio play or audio theater, with a troupe of actors playing the parts. In that medium, a shrilling phone or a sudden scream would indeed startle the listener, and spooky music would create a more suspenseful atmosphere.
