The Berry Pickers
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- 12,99 €
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- 12,99 €
Description de l’éditeur
'Lucid and assured' The New Yorker, Best Books of 2023
'For fans of Celeste Ng and Ann Patchett, this quietly beautiful book will break, then mend, your heart' Amazon, The Best Books of 2023
WINNER OF THE 2023 BARNES & NOBLE DISCOVER PRIZE
WINNER OF THE 2024 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION
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One family’s deepest pain. Another family’s darkest secret.
On a hot day in 1960s Maine, six-year-old Joe watches his little sister Ruthie, sitting on her favourite rock at the edge of the blueberry fields, while their family, Mi’kmaq people from Nova Scotia, pick fruit. That afternoon, Ruthie vanishes without a trace. As the last person to see her, Joe will be forever haunted by grief, guilt, and the agony of imagining how his life could have been.
In an affluent suburb nearby, Norma is growing up as the only child of unhappy parents. She is smart, precocious, and bursting with questions she isn’t allowed to ask – questions about her missing baby photos; questions about her dark skin; questions about the strange, vivid dreams of campfires and warm embraces that return night after night. Norma senses there are things her parents aren’t telling her, but it will take decades to unravel the secrets they have kept buried since she was a little girl.
The Berry Pickers is an exquisitely moving story of unrelenting hope, unwavering love, and the power of family – even in the face of grief and betrayal.
'Marvellous ... Amanda Peters is going to be the next big thing ... The Berry Pickers is a triumph' Katherena Vermette, author of The Strangers
PUBLISHERS WEEKLY
Peters's enthralling debut tracks the lives of two siblings from an Indigenous Canadian family working in Maine as seasonal berry pickers. In the summer of 1962, four-year-old Ruthie is kidnapped by a white New England woman, who renames her Norma and raises the girl as her daughter. Meanwhile, Ruthie's brother Joe, who was six years old at the time of the kidnapping, never forgives himself for not keeping an eye on his sister. Joe's perspective alternates with Norma's, who shares her dim recollections of her real mother ("It's just a dream," she's told by her new parents) with her imaginary friend, "Ruthie." Joe spends most of his life guilt-ridden by his sister's disappearance. Norma, meanwhile, is haunted by the puzzling gaps in her family history: there are no pictures of her before the age of five, and her skin is darker than her parents' (she's told that she takes after an "Italian great-grandfather"). Joe acts out in rage and resorts to alcohol to cope, while Norma builds a life for herself as a teacher and a wife. Peters traces their experiences over several decades, and their reunion, when it finally comes, is powerfully rendered. The result is a cogent and heartfelt look at the ineffable pull of family ties.
