The Big Rewind
A Memoir Brought to You by Pop Culture
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- 15,99 €
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- 15,99 €
Description de l’éditeur
Nathan Rabin viewed pop culture as a life-affirming form of escape throughout his childhood and adolescence. As an adult, pop culture became his life. Head writer for A.V. Club for more than a decade, Rabin uses specific books, songs, albums, films, and television shows as springboards for dissecting his Dickensian life story in his acclaimed memoir The Big Rewind.
Rabin writes movingly and hilariously about how pop culture helped save him from suicidal despair, institutionalization, and parental abandonment during a childhood that sent him ricocheting from a mental hospital to a foster home to a group home for emotionally disturbed adolescents. A fun book about depression, The Big Rewind is ultimately a touching narrative of a motherless child’s search for family and acceptance, and a darkly comic valentine to Rabin’s lovable, hard-luck dad.
With comic dissertations on everything from The Simpsons to The Great Gatsby, and from Grey Gardens to Dr. Dre, The Big Rewind chronicles Rabin’s improbable yet all-too-true journey through life, and its fortuitous intersections with the dizzyingly wonderful world of entertainment.
PUBLISHERS WEEKLY
Rabin, a writer for the Onion's arts section, endured a dysfunctional childhood marked by parental abandonment, a stint in a mental hospital and an adolescence spent in a group home and a drug-ridden co-op house. And in this memoir, he views his life through the blurry lens of formative cultural influences. His episodic narrative recounts a sarcastic, insecure youth's gonzo misadventures with a cast of freaks, misfits and aloof or cruelly promiscuous girlfriends, then moves on to adult run-ins with air-sick celebrities, bored prostitutes and nutty Hollywood types. Convinced that cultural tastes reveal the soul, like a My Space page, Rabin opens each chapter with an earnest (though rarely incisive) appreciation of some favorite in a personal canon that ranges from rap albums to The Great Gatsby, and intrusively peppers his writing with pop culture references. There are, alas, limits to the evocative power of pop culture references, and the author's arcane allusions "Susanne and Jack's relationship was like a gender-switched version of the star-crossed duo in the Stephen Malkmus song 'Jenny and the Ess-Dog' " test them. Rabin's vigorous, smart-assed prose sometimes brings the sideshow vividly to life, but it's marred by self-conscious fanboyism and labored jokiness.
