The Day the Klan Came to Town
-
- 10,99 €
-
- 10,99 €
Description de l’éditeur
The year is 1923. The Ku Klux Klan is at the height of its power in the US as membership swells into the millions and they expand beyond their original southern borders. As they grow, so do their targets. As they continue their campaigns of terror against African Americans, their list now includes Catholics and Jews, southern and eastern Europeans, all in the name of “white supremacy.” But they are no longer considered a terrorist organization. By adding the messages of moral decency, family values, and temperance, the Klan has slapped on a thin veneer of respectability and has become a “civic organization,” attracting ordinary citizens, law enforcement, and politicians to their particular brand of white, Anglo-Saxon, and Protestant “Americanism.”
Pennsylvania enthusiastically joined that wave. That was when the Grand Dragon of Pennsylvania decided to display the Klan’s newfound power in a show of force. He chose a small town outside of Pittsburgh named after Andrew Carnegie; a small, unassuming borough full of “Catholics and Jews,” the perfect place to teach these immigrants “a lesson.” Some thirty thousand members of the Klan gathered from as far as Kentucky for “Karnegie Day.” After initiating new members, they armed themselves with torches and guns to descend upon the town to show them exactly what Americanism was all about.
The Day the Klan Came to Town is a fictionalized retelling of the riot, focusing on a Sicilian immigrant, Primo Salerno. He is not a leader; he’s a man with a troubled past. He was pulled from the sulfur mines of Sicily as a teen to fight in the First World War. Afterward, he became the focus of a local fascist and was forced to emigrate to the United States. He doesn’t want to fight but feels that he may have no choice. The entire town needs him—and indeed everybody—to make a stand.
PUBLISHERS WEEKLY
Strength in solidarity is the prevailing theme of this galvanizing graphic dramatization by Campbell (Baaaad Muthaz) of a real-life clash between residents of Carnegie, Penn., and the KKK in 1923. Cabbriele, an Italian immigrant haunted by the memory of being tormented by a lynch mob ("We done caught us a guinea instead"), joins Irish, African American, and Jewish protestors who aim to upend "Karnegie Day," a rally of armed Klansmen supported by elements of the local government. His grinding path from Sicily to America helps form the story's emotional core and frames how he banded together with others to organize a counterprotest, which ended in a brawl that ousted the Klan. "A man without his friends will have nothing but trouble throughout his life," utters a white working class man to a Black comrade in this effort, neatly summing up Campbell's theme. Khodabandeh (The Little Black Fish) supplies chilling panels of Klan members in full regalia, including an image of child pulling a miniature noose around the neck of an African American female doll. Campbell reflects in the afterword on how the anti-rally had been largely forgotten as Carnegie—his hometown—developed away from its immigrant roots. Now readers have this emotionally charged record of how hatred born in American forced a community of immigrants and marginalized people to rally and model the best version of their nation's ideals.
